Results 81 to 90 of about 1,907 (212)

Ontological polyglossia: the art of communicating in opacity* Polyglossie ontologique : l'art de communiquer dans l'opacité

open access: yesJournal of the Royal Anthropological Institute, Volume 32, Issue 1, Page 293-312, March 2026.
What do communicating with a baby, with an animal, and with an ancestor have in common? In all three cases, people engage in opaque communication that is far from the standard psycholinguistic model of transparent interaction based on shared intentionality.
Charles Stépanoff
wiley   +1 more source

Agency, art, and altered consciousness: a motif in French (Quercy) Upper Palaeolithic parietal art

open access: yes, 2015
Is the meaning of prehistoric art beyond recovery — especially the meaning of early art in deep caves, a remote and strange location which itself suggests some out-of-the-ordinary purpose?
Lewis-Williams, J. D.
core   +1 more source

L’art mobilier du Paléolithique Supérieur en Europe occidentale et méridionale

open access: yesArheologia Moldovei, 2016
Our approach focuses on the art of the Upper Palaeolithic portable art in Western and Southern Europe. This geographical area covers roughly the current territory of Italy, Spain, Portugal, France and Belgium.
Valentin-Codrin Chirica
doaj   +1 more source

Response to Comment on ‘Cave Palaeolithic of the Ural Mountains—a review’

open access: yes
Boreas, Volume 55, Issue 2, Page 604-608, April 2026.
Jiri Chlachula
wiley   +1 more source

Community Art: Communities of Practice, Situated Learning, Adults and Children as Creators of Cave Art in Upper Palaeolithic France and Northern Spain

open access: yesOpen Archaeology, 2018
This paper presents acts of fluting as tangible expressions of activities performed by Palaeolithic communities of practice, in which situated learning was part of the social transmission of knowledge and communities of practice include children, men and
Janik Liliana, Cooney Williams Jessica
doaj   +1 more source

Light, Human Evolution, and the Palaeolithic

open access: yes, 2017
Human light-producing technology (i.e. the controlled use of fire) evolved during the Palaeolithic. Among its more obvious advantages to survival (heat, cooking, protection), fire-provided light in the form of hearths and lamps probably had considerable ...
Paul Pettitt   +2 more
core   +1 more source

« Geste dans geste, comme un gant »: Mains tendues à la préhistoire chez Jean-Loup Trassard et Miquel Barceló

open access: yesInterfaces, 2018
This article focuses on two artists who take the hand – the origin of most gestures since the beginning of mankind - as the centre of their research and activity.
Chloé Morille
doaj   +1 more source

Hands in the dark: Palaeolithic rock art in Gorham’s Cave (Gibraltar)

open access: yesSPAL. Revista de Prehistoria y Arqueología de la Universidad de Sevilla, 2018
The work in the inner area of Gorham’s Cave, Gibraltar, has added to the Palaeolithic art located in the cave. Although work continues on the surveying and the study of the evidence found up to now, we present here a preview consisting of a representation of a red deer, and also a hand stencil, alongside numerous marks which have been found scattered ...
Simón Vallejo, María Dolores   +7 more
openaire   +4 more sources

The Origins of Visual Culture? Psychological Foundations of Upper Palaeolithic Figurative Cave Art in Northern Spain [PDF]

open access: yes, 2022
Upper Palaeolithic cave art is enthralling; the depiction of animals by our most ancient ancestors captures the imagination. It is no surprise that this art has been subject to extensive academic attention, with a breadth of perspectives that attempt to ...
WISHER, ISOBEL,CLAIRE
core  

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