Results 41 to 50 of about 8,414 (239)

A Family Affair: The Uses and Abuses of Vicarious Identity in Political Rhetoric During the 2024 General Election

open access: yesThe Political Quarterly, EarlyView.
Abstract The 2024 UK general election saw candidates make frequent rhetorical references to parents and grandparents. But what are the political functions and implications of such references? Drawing together recent research in political psychology and sociology, this article interprets such references as attempts to articulate ‘vicarious identities ...
Joseph Haigh
wiley   +1 more source

Copyright Infringement on Parody Video: A Legal Perspective

open access: yesJurnal Media Hukum, 2020
The study aims to find out and analyze copyright infringement related to making parody videos with cinematographic work content. The researcher analyzed one of the parody videos made by Shopee as advertising content.
Nur Persmawati Sahar
doaj  

The Parody Mass and the Rethorical-Pedagogical Principle of Imitation

open access: yesReview of Artistic Education, 2021
In the sixteenth century, composing a parody Mass was a means to pay tribute to an admired piece and master the composing techniques shown therein. The parody Mass is grounded on the principles of imitation and emulation, on which the whole Renaissance ...
Marisi Rossella
doaj   +1 more source

Song: What Makes You Albumin (to the tune of “What Makes You Beautiful”*)

open access: yes
Biochemistry and Molecular Biology Education, EarlyView.
Seshadri Reddy Varikasuvu   +1 more
wiley   +1 more source

Predicative Possession in Ukrainian and Intra‐Slavonic Language Contact1

open access: yesTransactions of the Philological Society, EarlyView.
Abstract Ukrainian has two inherited syntactic forms for possessive have: a transitive one with a lexical have‐verb, and an intransitive, originally locative be‐construction. On the basis of four corpus studies, the article establishes their relative frequency in Middle Ukrainian writing (17th and 18th c.), Modern Ukrainian dialects (20th c.), and ...
Jan Fellerer
wiley   +1 more source

History as Story and Parody in Julian Barnes’s the Noise of Time

open access: yesRomanian Journal of English Studies, 2019
This article analyses Julian Barnes’s The Noise of Time, a postmodernist parody of the Russian communist world, and shows that historical truth is turned into a story which is remembered with bitter irony and which offers various interpretations.
Catană Elisabeta Simona
doaj   +1 more source

Parody and Intellectual Property law in the context of emerging fashion law [PDF]

open access: yesZbornik Radova Pravnog Fakulteta u Nišu, 2020
This article deals with the relationship between parody and intellectual property law. First, the author presents the concept of parody in European law. In this context, the CJEU judgment delivered in the case Deckmyn v.
Šilhánková Šárka
doaj  

Civility, honour and male aggression in early modern English jestbooks

open access: yesGender &History, EarlyView.
Abstract This article discusses the comical representation of inter‐male violence within early modern English jestbooks. It is based on a rigorous survey of the genre, picking out common themes and anecdotes, as well as discussing their reception and sociable functions. Previous scholarship has focused on patriarchs, subversive youths and impoliteness.
Tim Somers
wiley   +1 more source

PARODY AS ONTOLOGIC AND GNOSEOLOGIC PROBLEM OF RUSSIAN (S.-PETERSBURG) AVANT-GARDE IN 1920S

open access: yesДокса, 2012
The article explains why the thinkers of Russian avant-garde suggested and developed a theory of parody in 1920s. The cultural and politic context of the avant-garde’s theory of parody is analyzed.
Сергій Троіцький
doaj   +1 more source

Visual Satire Under German Censorship: The Card Game Pharo in Johann Heinrich Ramberg's Illustrations and in Contemporary Descriptions

open access: yesJournal for Eighteenth-Century Studies, EarlyView.
Abstract This article examines image–text relations in German illustrations of gambling around 1800, specifically focusing on the card game Pharo and the artist Johann Heinrich Ramberg. It shows Ramberg's technique of reuse and variation as well as the degree of satire in the designs and their accompanying descriptive or fictional texts.
Waltraud Maierhofer
wiley   +1 more source

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