Results 41 to 50 of about 99 (87)
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ORAZIO: THE HISTORY OF A PASTICCIO
The Musical Quarterly, 1952AFTER Pergolesi's death from consumption at the age of twentysix, his fame spread rapidly all over Europe. Foreign visitors to Italy, such as De Brosses and the poet Gray, acquired manuscript copies of his works and played their part in creating an extraordinary vogue, a sort of Pergolesi-fever, which seized on the Continent and reached its climax in ...
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Vivaldi and the Pasticcio: Text and Music in Tamerlano
1995Abstract In his seminal essay ‘Towards an Understanding of the Opera seria’,1 Reinhard Strohm questions the validity of the concept of the individual ‘work’ when dealing with Italian operatic practice of the early eighteenth century. Instead, he advocates viewing operas of this period as ‘productions’, dominated less by the wishes of ...
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Ein Passions-Pasticcio des 18. Jahrhunderts
Bach-Jahrbuch, 2018Bach-Jahrbuch, Bd. 51 (1965)
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Un ‘pasticcio' di Bernart Amoros
Cultura neolatina : LXXXIV, 1/2, 2024L’articolo illustra il caso della fusione di due componimenti nel canzoniere provenzale a, prima parte della copia tardocinquecentesca del perduto “canzoniere di Bernart Amoros”: la canzone BdT 364,25 di Peire Vidal e il sirventese BdT 80,28 di Bertran de Born, il secondo preciso contrafactum del primo.
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Local Conditions of Pasticcio Production and Reception: Between Prague, W Rocław and Moravia
Mainzer Historische Kulturwissenschaften, 2021Jana Spáčilová
exaly
Between Dwarfs and Giants. Aesthetics of the Pasticcio Between London and Hamburg
Mainzer Historische Kulturwissenschaften, 2021Gesa zur Nieden
exaly