Results 21 to 30 of about 420 (127)

Between Venice, Lubowla in Spiš and Kraków : Prince Teodor Lubomirski – an enthusiast of Italian opera (a preliminary study)

Musicologica Brunensia, 2018
Prince Teodor Lubomirski staged 4 operas in his Polish estates: Venceslao, La fede ne'tradimenti, Mariane, Griselda (1725–1727). The Kraków prints of the libretti for the first 3 operas follow the Venetians prints (1722, 1721, 1724), while the Cracovian ...
Anna Ryszka-Komarnicka
doaj   +1 more source

Cinema, paesaggio e turismo “andaluzadas”: la Spagna andalusizzata, patrimonio retroproiettato / Cinema, landscape and “andaluzadas” tourism: the Andalusian Spain, a rear-projected heritage

Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2016
La Spagna si è proiettata cinematograficamente al turismo internazionale attraverso la sua immagine più pittoresca e singolare: l’Andalusia. In questo modo, anche nelle produzioni realizzate in altre regioni spagnole (Galizia, Madrid, Castiglia-La Mancia,
Rocío Liáñez Andrades, María del Carmen Puche Ruiz   +1 more
doaj   +1 more source

Profectio Moysis in Aegyptum (1784): A “Fake” Neapolitan Oratorio?

De Musica Disserenda
One manuscript of an oratorio in I-Mc dating from 1784 is described, on its title page, as a pasticcio by “celebrated Neapolitan maestri”. I suggest that the source is actually a forgery and linked to three non-Neapolitan composers. The inference is that
Eric Boaro
doaj   +1 more source

Operatic Pasticcios in 18th-Century Europe

, 2021
In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best
openaire   +2 more sources

Das Pasticcio in den böhmischen Ländern in der ersten Hälfte des 18. Jahrhunderts

, 2020
Die Studie befasst sich mit dem Pasticcio, einer bedeutenden Untergattung der italienischen Opera seria im 18. Jahrhundert. Sie erörtert die strukturellen Prinzipien der Barockoper als Voraussetzungen für die Entstehung des Pasticcios und erläutert ...
Spáčilová, Jana
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Tartini’s Music in Venice

Muzikološki Zbornik
Three Venetian libraries (I-Vc, I-VLevi and I-Vnm) possess several handwritten and printed musical sources connected to Giuseppe Tartini. The present study of specific witnesses and pieces, among which are some unica, reveals new aspects of the ...
Federico Lanzellotti
doaj   +1 more source

A LAMP-BEARER (?) IN THE FORM OF DIONYSOS FROM ANATOLIAN CIVILIZATIONS MUSEUM

Journal of Ancient History and Archaeology
A rare and nearly life-size bronze statue of Dionysus is displayed in the Classical Artifacts section of the Museum of Anatolian Civilizations. The piece, whose origin of discovery is unknown, was broken into pieces and smuggled abroad.
Deniz Berk TOKBUDAK
doaj   +1 more source

Some Remarks on the Pasticcio Sonata and Concerto in the First Half of the Eighteenth Century

De Musica Disserenda
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Michael Talbot
doaj   +1 more source

Primizie rossiniane per Isabella Colbran. Un’aria-pasticcio nella Morte di Semiramide di Nasolini

, 2014
Si rintraccia la prima musica scritta da Rossini per Isabella Colbran a Napoli: un’aria-pasticcio nella Morte di Semiramide di Nasolini, comprendente anche musica di Marco ...
LAMACCHIA, Saverio
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«Il ritorno del figlio con l'abito più approvato». Ein Prager Pasticcio und seine italienischen Quellen

, 1997
Il pasticcio "Il ritorno del figlio con l'abito più approvato" (Praga 1730) si compone di musica di MAncini, Bioni e Luchini messa insieme da Antonio Denzio, impresario del teatro Spork.
ROMAGNOLI, ANGELA
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