Results 11 to 20 of about 420 (127)
Pasticcio Opera: History and Context [PDF]
, 2020 This study consists of a new pasticcio opera and a thesis examining the origins of these operas, their development and evolution, from 1600 to the present. It proposes a recontextualisation of the Stildualismus binaries, the supposed change in music from
PETER BARNES
openaire +3 more sources
Dido the Chaste: A Characterization of Dido in Spanish Baroque Pasticcio Opera [PDF]
, 2022 The Dido myth has evolved and been adapted by many cultures over the centuries. Each Dido was altered to fit the needs of its creator, their society and customs.
Zimmerman, Camila
core +1 more source
Musicologica Brunensia, 2018 The passion oratorio La morte di Cristo, attributed in two German sources from the late 18th or early 19th century to Johann Adolf Hasse, was identified in 1976 by Reinhard Strohm as a sacred pasticcio, based on opera arias by Hasse and other composers ...
Steffen Voss
doaj +1 more source
Collaboration, arrangement, ‘dressing’: The different recipes for the pasticcio alla napoletana in the first half of the 18th century [PDF]
, 2021 The aura of suspicion that surrounded the practice of ‘pasticcio’, which was widespread in the 18th century until relatively recent years, has been dissipating recently, even though aesthetic prejudice dies hard.
Angela Romagnoli
core
Unbekannte Brünner Oratorien Neapolitanischer Komponisten vor 1740
Musicologica Brunensia, 2014 An unprecedented upsurge of the Italian oratorio was experienced in Brno, South Moravia, in 1720s and 1730s, testified by 49 extant oratorio libretti of local origin.
Jana Spáčilová
doaj +1 more source
Orlandini's Antigona (vendicata) : transformation of a Venetian opera on its transalpine journey
Musicologica Brunensia, 2018 The study focuses on the reception of the opera Antigona by Giuseppe Maria Orlandini from its premiere in Venice in 1718 to the productions in Breslau 1728 and Brno 1736.
Jana Spáčilová
doaj +1 more source
“Passion, Lament, Glory”: Baroque Music and Modern Social Justice Resonances
Voices, 2017 Baroque religious music was composed and performed to stimulate devotion as well as the inspire passion through the theatricality of the religious ritual including the processional arrangements which worked in tandem with the performance practices based ...
Jane W. Davidson
doaj +1 more source
Musicologica Brunensia, 2018 On November 16th, 1726, a Pastoral Opera by Antonio Caldara was performed in Dublin, which, according to the libretto, was written in Rome. At the time of the performance, Caldara has already served as vice-chapel master in the service of the imperial ...
Andrea Zedler, Magdalena Boschung
doaj +1 more source
Le elezioni politiche del 2001 e la questione dei seggi vacanti
QOE-IJES, 2005 Le elezioni politiche del maggio 2001 sono destinate a restare nella storia, quanto meno in virtù di un evento che non si era mai verificato in precedenza, vale a dire l’impossibilità di assegnare alcuni seggi della Camera dei deputati a causa dell ...
Alessandro Gigliotti
doaj +1 more source
Borrowing, Reworking, and Composing: The Making of the Viennese Pasticci of 1750
Musicologica Austriaca, 2020 The dramma per musica Andromeda liberata, the favola pastorale Euridice, and the azione teatrale Armida placata, all performed for the first time in Vienna at the Theater nächst der Burg in 1750, are, as pasticci, quite exceptional for the Viennese opera
Michele Calella, Günter Stummvoll
doaj