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Universität Bayreuth-aktuell : ubt aktuell, Nr. 6 – Dezember 2009 [PDF]
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Intorno a Poussin: Ideale classico e epopea barocca tra Parigi e Roma. Ausstellung der Académie de France à Rome, Villa Medici, 30. März-26. Juni 2000 [PDF]
Keazor, Henry
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Pasticcio-Daten und Daten-Pasticcio – zur Edition kompilierter musikalischer Werke
editio, 2020Abstract This text, which was written by members of the project Pasticcio. Ways of arranging attractive operas, uses Gérard Genette’s term ‘paratext’ in a broader sense. Assuming that every text besides the edited work, which is part of the genesis of these oscillating works compiled of pre-existing musical material called pasticcios ...
Pelliccia, Emilia +3 more
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2005
The study is the first to engage in a detailed examination of imagery in the works of the Milanese engineer, philosopher, and writer Carlo Emilio Gadda (1893-1973). It explores different kinds of imagery in Gadda's letters, in his texts on poetology, literary criticism, and art criticism, and in his novels -La cognizione del dolore- and -Quer ...
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The study is the first to engage in a detailed examination of imagery in the works of the Milanese engineer, philosopher, and writer Carlo Emilio Gadda (1893-1973). It explores different kinds of imagery in Gadda's letters, in his texts on poetology, literary criticism, and art criticism, and in his novels -La cognizione del dolore- and -Quer ...
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Un ‘pasticcio' di Bernart Amoros
Cultura neolatina : LXXXIV, 1/2, 2024L’articolo illustra il caso della fusione di due componimenti nel canzoniere provenzale a, prima parte della copia tardocinquecentesca del perduto “canzoniere di Bernart Amoros”: la canzone BdT 364,25 di Peire Vidal e il sirventese BdT 80,28 di Bertran de Born, il secondo preciso contrafactum del primo.
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Ein Passions-Pasticcio des 18. Jahrhunderts
Bach-Jahrbuch, 2018Bach-Jahrbuch, Bd. 51 (1965)
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