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« Toujours tu reviendras Mélancolie » : Cold War de Paweł Pawlikowski
Critique, 2019 openaire +1 more source
Imagining Englishness: the mapping of identity in My Summer of Love (2004) by Pawel Pawlikowski
New Cinemas, 2009 This article will look at the way in which the thematic and aesthetic discourses of My Summer of Love imagine and problematize the notion of a British/English identity. As an allegorical story of Sapphic love and conflict between two teenage girls, working-class Mona and upper-class Tamsin, My Summer of Love explores an English identity by mapping it ...
Joanna Rydzewska
exaly +5 more sources
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Welcome to Dreamland: The realist impulse in Pawel Pawlikowski's Last Resort
New Cinemas, 2008After first exploring Pawel Pawlikowski's status as an outsider in British cinema through a brief comparison to German director Fatih Akin, I focus on Pawlikowski's film Last Resort (UK, 2000) to assess and problematize its portrayal of refugees. I argue that rather than relying on open didacticism, Pawlikowski's representation of asylum seekers ...
Alice Bardan
exaly +2 more sources
Screening Asylum: Pawel Pawlikowski’s Last Resort
2014Early on in Last Resort, Tanya, an asylum seeker from Russia, asks resident bingo-caller Alfie for help escaping from Stonehaven, the seaside resort turned detention centre in which she finds herself. Regarding her from across a table, Alfie observes: ‘You don’t look like a refugee.’ In fact, she is not, or rather, in her own words, she is a ‘refugee ...
Agnes Woolley
exaly +2 more sources