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Mapping Pawel Pawlikowski andLast Resort

Studies in Eastern European Cinema, 2012
This article looks at the British-Polish film-maker Pawel Pawlikowski and his film Last Resort (2000). It argues that the film-maker and the film’s main protagonist are prime examples of a postcommunist condition, which has manifested itself since the ...
Kristensen, Lars Lyngsgaard Fjord
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Welcome to Dreamland: From place to non-place and back again in Pawel Pawlikowski's Last Resort

New Cinemas, 2002
This paper explores the incorporation of anthropologist Marc Aug's theory of non-place into the study of representations of travel, migration and displacement in contemporary European cinema. Taking the British film Last Resort (Pawlikowski, 2000) as its central example, the idea of home as a structuring absence is considered by exploring the spatial ...
Les Roberts
exaly   +2 more sources

‘Co-production Case Study: Ida by Pawel Pawlikowski’—an interview with Ewa Puszczynska and Sofie Wanting Hassing

2018
The Oscar-winning film Ida (2013) by Pawel Pawlikowski is one of the few European art house films that are both festival and box-office hits. We talked with two of the film’s producers Ewa Puszczynska (Poland) and Sofie Wanting Hassing (Denmark) about what made this Polish-Danish co-production successful and about the challenges they faced throughout ...
Petar Mitric
exaly   +2 more sources

‘If You Can't Make a Good Political Film, Don't’: Pawel Pawlikowski's Resistant Poetic Realism

Journal of British Cinema and Television, 2012
[The resistance to making didactic films is] a kind of internal debate (for me) since I’m obsessed with politics . . . You can make a kind of personality-driven assault like Michael Moore, which I thoroughly approve of. But it’s not filmmaking, it’s closer to journalism. That needs to be done, but it’s not what I’m good at . . . I believe that making a
exaly   +2 more sources

Includimi fuori. Ida di Pawel Pawlikowski

, 2016
Il saggio propone l'analisi estetico-formale del film Ida di Pawel Pawlkowski mettendo in luce come entrambe le protagoniste, Ida giovane novizia interna in un convento della Polonia degli anni Sessanta e la zia Wanda magistrato ossequiente allo stalinismo, siano toccate in maniera del tutto singolare dall'imperfezione. L'analisi del percorso delle due
SALVATORE, ROSAMARIA
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From Sarajevo to Didcot: An interview with Pawel Pawlikowski

New Cinemas, 2002
Les Roberts
exaly   +2 more sources

Pawel Pawlikowski:

2008
exaly   +4 more sources

Pawel Pawlikowski’s Neoliberal Authorship

Eastern European Screen Studies
exaly   +3 more sources

Mapping Pawel Pawlikowski andLast Resort

Studies in Eastern European Cinema, 2012
ABSTRACTThis article looks at the British-Polish film-maker Pawel Pawlikowski and his film Last Resort (2000). It argues that the film-maker and the film's main protagonist are prime examples of a postcommunist condition, which has manifested itself since the fall of the Berlin Wall.
openaire   +1 more source

Poland's Postwar Trauma and Identity in Pawel Pawlikowski's Films: Reflections on Ida and Cold War

Central European History, 2020
Does homecoming epitomize Polish filmmaker Pawel Pawlikowski's last two films, Ida (2013) and Cold War (Zimna wojna, 2018)? Considering the box office, the awards won, and the film critics’ response, it seems that the transition from documentaries to feature films meant a turn to Polish history and identity for the director.
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