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Imagining Englishness: The Mapping of Identity in My Summer of Love (2004) by Pawel Pawlikowski

open access: yesNew Cinemas, 2009
This article will look at the way in which the thematic and aesthetic discourses of My Summer of Love imagine and problematize the notion of a British/English identity. As an allegorical story of Sapphic love and conflict between two teenage girls, working-class Mona and upper-class Tamsin, My Summer of Love explores an English identity by mapping it ...
Joanna Rydzewska
exaly   +5 more sources
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Welcome to Dreamland: The Realist Impulse in Pawel Pawlikowski's Last Resort

New Cinemas, 2008
After first exploring Pawel Pawlikowski's status as an outsider in British cinema through a brief comparison to German director Fatih Akin, I focus on Pawlikowski's film Last Resort (UK, 2000) to assess and problematize its portrayal of refugees. I argue that rather than relying on open didacticism, Pawlikowski's representation of asylum seekers ...
Alice Bardan
exaly   +2 more sources

Mapping Pawel Pawlikowski and Last Resort

open access: yesStudies in Eastern European Cinema, 2012
This article looks at the British-Polish film-maker Pawel Pawlikowski and his film Last Resort (2000). It argues that the film-maker and the film’s main protagonist are prime examples of a postcommunist condition, which has manifested itself since the ...
Kristensen, Lars Lyngsgaard Fjord
exaly   +7 more sources

Screening Asylum: Pawel Pawlikowski’s Last Resort

2014
Early on in Last Resort, Tanya, an asylum seeker from Russia, asks resident bingo-caller Alfie for help escaping from Stonehaven, the seaside resort turned detention centre in which she finds herself. Regarding her from across a table, Alfie observes: ‘You don’t look like a refugee.’ In fact, she is not, or rather, in her own words, she is a ‘refugee ...
Agnes Woolley
exaly   +2 more sources

Welcome to Dreamland: From Place to Non-Place and Back Again in Pawel Pawlikowski's Last Resort

New Cinemas, 2002
This paper explores the incorporation of anthropologist Marc Aug's theory of non-place into the study of representations of travel, migration and displacement in contemporary European cinema. Taking the British film Last Resort (Pawlikowski, 2000) as its central example, the idea of home as a structuring absence is considered by exploring the spatial ...
Les Roberts
exaly   +2 more sources

‘Co-Production Case Study: Ida by Pawel Pawlikowski’—An Interview With Ewa Puszczynska and Sofie Wanting Hassing

2018
The Oscar-winning film Ida (2013) by Pawel Pawlikowski is one of the few European art house films that are both festival and box-office hits. We talked with two of the film’s producers Ewa Puszczynska (Poland) and Sofie Wanting Hassing (Denmark) about what made this Polish-Danish co-production successful and about the challenges they faced throughout ...
Petar Mitric
exaly   +2 more sources

‘If You Can't Make a Good Political Film, Don't’: Pawel Pawlikowski's Resistant Poetic Realism

Journal of British Cinema and Television, 2012
[The resistance to making didactic films is] a kind of internal debate (for me) since I’m obsessed with politics . . . You can make a kind of personality-driven assault like Michael Moore, which I thoroughly approve of. But it’s not filmmaking, it’s closer to journalism. That needs to be done, but it’s not what I’m good at . . . I believe that making a
exaly   +2 more sources

Includimi fuori. Ida di Pawel Pawlikowski

open access: yes, 2016
Il saggio propone l'analisi estetico-formale del film Ida di Pawel Pawlkowski mettendo in luce come entrambe le protagoniste, Ida giovane novizia interna in un convento della Polonia degli anni Sessanta e la zia Wanda magistrato ossequiente allo stalinismo, siano toccate in maniera del tutto singolare dall'imperfezione. L'analisi del percorso delle due
SALVATORE, ROSAMARIA
openaire   +2 more sources

ReFocus: The Films of Pawel Pawlikowski

Historical Journal of Film, Radio and Television
Melanie Williams
exaly   +2 more sources

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