Results 81 to 90 of about 51,445 (102)

Poland's Postwar Trauma and Identity in Pawel Pawlikowski's Films: Reflections on Ida and Cold War

Central European History, 2020
exaly   +2 more sources

Counterinterpretation in Film Criticism: The Case of “Ida” by Paweł Pawlikowski [PDF]

Quart (Wrocław. Online), 2020
The objective of this text is to discuss a lack of interest in the religious context of the award-winning film Ida by Pawel Pawlikowski. Moral choices within the film prove to be of greater concern to the director than political questions ...
Osadnik, Wacław
exaly   +2 more sources

Mapping Pawel Pawlikowski andLast Resort

Studies in Eastern European Cinema, 2012
ABSTRACTThis article looks at the British-Polish film-maker Pawel Pawlikowski and his film Last Resort (2000). It argues that the film-maker and the film's main protagonist are prime examples of a postcommunist condition, which has manifested itself since the fall of the Berlin Wall.
openaire   +1 more source

Poland's Postwar Trauma and Identity in Pawel Pawlikowski's Films: Reflections on Ida and Cold War

Central European History, 2020
Does homecoming epitomize Polish filmmaker Pawel Pawlikowski's last two films, Ida (2013) and Cold War (Zimna wojna, 2018)? Considering the box office, the awards won, and the film critics’ response, it seems that the transition from documentaries to feature films meant a turn to Polish history and identity for the director.
openaire   +1 more source

Beyond the Nation State: ‘New Europe’ and Discourses of British Identity in Pawel Pawlikowski'sLast Resort(2000)

Journal of Contemporary European Studies, 2009
The collapse of the Communist regimes in 1989 and the 2004 and 2007 extensions of the European Union to include several Eastern European countries have suddenly changed the Iron Curtain coexistence of West and East into East/West literal encounters in Europe.
openaire   +3 more sources

Fragile balance: Imaginary Europes, transcultural aesthetics and discourses of European identity in Pawel Pawlikowski’sLast Resortand Steven Spielberg’sWar Horse

Journal of Postcolonial Writing, 2015
In light of recent accounts of ongoing Europeanization processes, this article scrutinizes images of Europe and Europeanization in Pawel Pawlikowski’s Last Resort and Steven Spielberg’s War Horse in order to explore how British low-budget independent film and Hollywood mainstream cinema realize imaginary Europes on screen.
openaire   +1 more source

Pawel Pawlikowski’s Neoliberal Authorship

Eastern European Screen Studies
openaire   +2 more sources

Pawel Pawlikowski

2008
openaire   +1 more source

My Summer of Love : Pawel Pawlikowski

2005
openaire   +1 more source

Beyond the Nation State: ‘New Europe’ and Discourses of British Identity in Pawel Pawlikowski's Last Resort (2000)

Journal of Contemporary European Studies, 2009
Joanna Rydzewska
exaly