Results 51 to 60 of about 81,657 (182)

Drafting an image of success: the Russian patronage of émigré Elisabeth Louise Vigée Lebrun

Renaissance Studies, Volume 39, Issue 1, Page 141-153, February 2025.
Abstract Painted as a stipulation of her honorary admission into Russia's Imperial Academy of Arts, Elisabeth Louise Vigée Lebrun's (1755–1842) Self‐Portrait of 1800 is notable for having been produced at the culmination of a decade spent in exile. It depicts a strong, triumphant woman at the height of her career.
Erin Wilson
wiley   +1 more source

Points of Departure: exhibition text [PDF]

, 2018
This text was published to accompany The Hunterian exhibition 'Still Moving: the films and photographs of Ulrike Ottinger' and served as both an introduction to the artist's work and to set out the rationale for the particular selection of her work ...
Paterson, Dominic
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Luca Giordano à la cour de Charles II (1692-1702) : l’exaltation de la Monarchie Hispanique

E-Spania, 2018
La présence du fresquiste italien Luca Giordano à la cour de Charles II entre 1692 et 1702 donna lieu à la création d’un ensemble d’œuvres remarquables par leur force et leur qualité.
Pierre Civil
doaj   +1 more source

Derrida and the exemplarity of literature

Orbis Litterarum, Volume 79, Issue 1, Page 108-128, February 2024.
Abstract Jacques Derrida's scattered remarks on the ambiguous role examples play in the passage between the universal and the singular revolve around an often‐neglected point: any attempt to theorise exemplarity will itself be subject to the law it seeks to account for.
Kristian Olesen Toft
wiley   +1 more source

Analyse isotope de la toile Maquis la reconquête

Akofena
Résumé: La toile de Babloss s’inscrit dans le mouvement artistique de l’art naïf. Apparu à la fin du XIXe siècle, le sujet de l'art naïf est souvent tiré de la vie quotidienne, notamment des paysages, des natures mortes et des portraits. L’œuvre que nous
Arouna YAMEOGO
doaj   +1 more source

Le projet de «peinture sculpturale» chez Ingres et son temps historique

Memoria y Civilización
Au début du dix-neuvième siècle, le jeune peintre Ingres désire devenir peintre d’histoire. Mais ce projet se trouve ébranlé par les bouleversements politiques et idéologiques profonds qui secouent l’Europe.
Apollonia Stackler
doaj   +1 more source

L'art de faire parler les pierres : Bande-son de Bertrand de la Peine

Cahiers de Narratologie, 2012
Bertrand de la Peine Bande-Son scrolls three artist figures who suggest a domain of definition for artistic activity. At the forefront of the contemporary, Sven Langhens is an acoustician who strives to make audible the voice of the tiny, tiny animals ...
Isabelle Dangy
doaj   +1 more source

Freedom and Necessity of the Creative Act: The Cosmological Aspect of Kandinsky's Principle of Inner Necessity

Modern Theology, Volume 40, Issue 1, Page 82-96, January 2024.
Abstract This article argues that freedom in the divine creative act is better understood as a freedom of consent rather than freedom of will. However, even if some conundrums are thus avoided, one has to face the apparent antinomy between both God's creative act from His very nature and God's absolute freedom.
Isabelle Moulin
wiley   +1 more source

La transitività tra parola e materia come dimensione della poesia di un pittore e fotografo : Nicolò Cecchella

Italies, 2010
L’opera poetica di un poeta che è anche pittore e fotografo, artista totale, realizza la baudelairiana dottrina delle corrispondenze e impugna un prisma di strumenti per superare l’indicibile, il mutismo e la dimensione linerae del tempo. Dove la materia
Emanuela Nanni
doaj   +1 more source

The Poetics of Bricolage: Andre Breton's Theoretical Fables [PDF]

, 1996
1996-01 ...

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