Results 51 to 60 of about 832 (176)

Derrida and the exemplarity of literature

Orbis Litterarum, Volume 79, Issue 1, Page 108-128, February 2024.
Abstract Jacques Derrida's scattered remarks on the ambiguous role examples play in the passage between the universal and the singular revolve around an often‐neglected point: any attempt to theorise exemplarity will itself be subject to the law it seeks to account for.
Kristian Olesen Toft
wiley   +1 more source

Analyse isotope de la toile Maquis la reconquête

Akofena
Résumé: La toile de Babloss s’inscrit dans le mouvement artistique de l’art naïf. Apparu à la fin du XIXe siècle, le sujet de l'art naïf est souvent tiré de la vie quotidienne, notamment des paysages, des natures mortes et des portraits. L’œuvre que nous
Arouna YAMEOGO
doaj   +1 more source

La transitività tra parola e materia come dimensione della poesia di un pittore e fotografo : Nicolò Cecchella

Italies, 2010
L’opera poetica di un poeta che è anche pittore e fotografo, artista totale, realizza la baudelairiana dottrina delle corrispondenze e impugna un prisma di strumenti per superare l’indicibile, il mutismo e la dimensione linerae del tempo. Dove la materia
Emanuela Nanni
doaj   +1 more source

Freedom and Necessity of the Creative Act: The Cosmological Aspect of Kandinsky's Principle of Inner Necessity

Modern Theology, Volume 40, Issue 1, Page 82-96, January 2024.
Abstract This article argues that freedom in the divine creative act is better understood as a freedom of consent rather than freedom of will. However, even if some conundrums are thus avoided, one has to face the apparent antinomy between both God's creative act from His very nature and God's absolute freedom.
Isabelle Moulin
wiley   +1 more source

Peter Handke – Edward Hopper : quand l’écriture se métamorphose au contact de la peinture

Textes & Contextes, 2019
Certains écrivains cherchent à saisir dans la peinture un autre regard porté sur le monde susceptible de transformer leur création littéraire en profondeur.
Alexandra Masini-Beausire
doaj   +1 more source

Hugo van der Goes. Between Pain and Bliss (Gemäldegalerie—Staatliche Museen zu Berlin, March 31–July 16, 2023). Catalogue by Stephan Kemperdick and Erik Eising with the collaboration of Till‐Holger Borchert (ed.), Hugo van der Goes. Between Pain and Bliss, exh. cat., trans. Bram Opstelten and Joshua Waterman. Munich: Hirmer Verlag for Staatliche Museen zu Berlin, 2023. 304 pp. col. ill. ISBN 9783777438481.

Renaissance Studies, Volume 38, Issue 2, Page 321-329, April 2024.
Niko Munz
wiley   +1 more source

De nouveau sur les peintures de l’église-"bolnitsa" du monastère de Cozia [PDF]

Revue Roumaine d'Histoire de l'Art : Série Beaux-Arts, 2011
L’identité des zôgraphes David et Raduslav qui, en 1542-1543, ont réalisé la peinture de la bolnitsa du monastère de Cozia, est controversée : à force d’arguments stylistiques, les chercheurs ont émis plusieurs hypothèses sur leur possible formation ...
Ioana Iancovescu
doaj  

Intoxication au plomb causée par des médicaments ayurvédiques. [PDF]

CMAJ, 2023
Gitelman J, An H, Spilchuk V, Kim J.
europepmc   +1 more source

Des images sublimes, pittoresques, romantiques ? Les multiples vies des tableaux de Salvator Rosa

Altralang Journal
: Before becoming (or returning to being), in the 21st century, realistic representations of the mindsets of the time when they were painted, Salvator Rosa’s works have had several statuses : in the 18th century, particularly in England, but also in ...
Nikol Dziub
doaj   +1 more source

Keith Haring et l’héritage de la peinture américaine du XXème siècle

Cahiers de Narratologie, 2016
Although Keith Haring is seen as a pioneer in the street art movement, the sources of his work are often limited to Pop Art. Yet, Haring’s street art practices do not depart from the past trends retaining instead many key aspects and principles at the ...
Hélène Gaillard
doaj   +1 more source