Results 41 to 50 of about 213,485 (293)

Periodicity and frequency coding in human auditory cortex [PDF]

open access: yes, 2006
Understanding the neural coding of pitch and frequency is fundamental to the understanding of speech comprehension, music perception and the segregation of concurrent sound sources. Neuroimaging has made important contributions to defining the pattern of
Edmondson-Jones, AM   +2 more
core   +1 more source

Pupillary response to dynamic pitch alteration during speech perception in noise [PDF]

open access: yesJASA Express Letters, 2021
Dynamic pitch, also known as intonation, conveys both semantic and pragmatic meaning in speech communication. While alteration of this cue is detrimental to speech intelligibility in noise, the mechanism involved is poorly understood.
Jing Shen
doaj   +1 more source

Tonal expectations influence pitch perception [PDF]

open access: yesPerception & Psychophysics, 2008
In this study, we investigated the influence of tonal relatedness on pitch perception in melodies. Tonal expectations for target tones were manipulated in melodic contexts while controlling sensory expectations, thus allowing us to assess specifically the influence oftonal expectations on pitch perception.
Marmel, Frederic   +2 more
openaire   +4 more sources

Pitch-induced illusory percepts of time

open access: yesAttention, Perception, & Psychophysics, 2022
Abstract Past research suggests that pitch height can influence the perceived tempo of speech and music, such that higher-pitched signals seem faster than lower-pitched ones. However, previous studies have analyzed perceived tempo across a relatively limited range of fundamental frequencies.
Jesse Kendall Pazdera, Laurel Trainor
openaire   +2 more sources

Native Experience with a Tone Language Enhances Pitch Discrimination and the Timing of Neural Responses to Pitch Change [PDF]

open access: yes, 2011
Native tone language experience has been linked with alterations in the production and perception of pitch in language, as well as with the brain response to linguistic and non-linguistic tones.
Ryan J Giuliano   +5 more
core   +2 more sources

Perceptual Pitch Deficits Coexist with Pitch Production Difficulties in Music but Not Mandarin Speech

open access: yesFrontiers in Psychology, 2014
Congenital amusia is a musical disorder that mainly affects pitch perception. Among Mandarin speakers, some amusics also have difficulties in processing lexical tones (tone agnosics).
Wu-xia eYang   +4 more
doaj   +1 more source

Place pitch discrimination and speech recognition in cochlear implants users

open access: yesSouth African Journal of Communication Disorders, 1996
The considerable variability in speech perception performance among cochlear implant patients makes it difficult to compare the effectiveness of different speech processing strategies. One result is that optimal individualized processor parameter setting
Johan J. Hanekom, Robert V. Shannon
doaj   +1 more source

Repetition enhances the musicality of speech and tone stimuli to similar degrees [PDF]

open access: yes, 2018
Certain spoken phrases, when removed from context and repeated, begin to sound as if they were sung. Prior work has uncover ed several acoustic factors which determine wh ether a phrase sounds sung after repetition .
Breen, M., Patel, A., Tierney, Adam
core   +1 more source

The role of pitch and timbre in voice gender categorization

open access: yesFrontiers in Psychology, 2012
Voice gender perception can be thought of as a mixture of low-level perceptual feature extraction and higher-level cognitive processes. Although it seems apparent that voice gender perception would rely on low-level pitch analysis, many lines of research
Cyril R Pernet, Pascal eBelin
doaj   +1 more source

Pitch perception beyond the traditional existence region of pitch [PDF]

open access: yesProceedings of the National Academy of Sciences, 2011
Humans’ ability to recognize musical melodies is generally limited to pure-tone frequencies below 4 or 5 kHz. This limit coincides with the highest notes on modern musical instruments and is widely believed to reflect the upper limit of precise stimulus-driven spike timing in the auditory nerve. We tested the upper limits of pitch and melody perception
Andrew J, Oxenham   +4 more
openaire   +2 more sources

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