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Play Orbit: a play on the history of play
Technoetic Arts, 2008In 1969 Jasia Reichardt curated an exhibition at the Institute of Contemporary Art in London called Play Orbit. Although it has not achieved the landmark status of Reichardt's Cybernetic Serendipity, which was presented in London a year earlier, it caught the intellectual and artistic mood of a newly emergent constituency of (largely British) artists ...
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"Omocha": Things to Play (Or Not to Play) with
Asian Folklore Studies, 1994Le terme japonais « omocha » ne se limite pas au simple jouet, comme il est defini en Europe : des classifications d'objets consideres comme « omocha » sont proposees. Les « jouets de tradition populaire », qui continuent d'etre le produit d'art local, ont cependant perdu leur caractere ludique et sont devenus des objets d'appreciation esthetique pour ...
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Comparative Drama, 1982
"Work consists of whatever a body is obliged to do," Mark Twain has written. ". . . Play consists of whatever a body is not obliged to do." This distinction, as Tom Sawyer learns and lives it, is what stands between being ordered to whitewash a fence and allowing other boys for a consideration to whitewash that fence.
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"Work consists of whatever a body is obliged to do," Mark Twain has written. ". . . Play consists of whatever a body is not obliged to do." This distinction, as Tom Sawyer learns and lives it, is what stands between being ordered to whitewash a fence and allowing other boys for a consideration to whitewash that fence.
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International Journal of Play, 2013
The aim of this article is to develop a view of play as a relation between play practices and play moods based on an empirical study of children's everyday life and by using Bateson's term of ‘framing’ [(1955/2001). In Steps to an ecology of mind (pp. 75–80). Chicago: University of Chicago Press], Schmidt's notion of ‘commonness’ [(2005). Om respekten.
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The aim of this article is to develop a view of play as a relation between play practices and play moods based on an empirical study of children's everyday life and by using Bateson's term of ‘framing’ [(1955/2001). In Steps to an ecology of mind (pp. 75–80). Chicago: University of Chicago Press], Schmidt's notion of ‘commonness’ [(2005). Om respekten.
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Play, But Not Simply Play: The Anthropology of Play
2013Play seems to a distinctive trait for the human species. We share the inclination of this seemingly nonsensical behaviour with the other higher vertebrates, especially the mammals. All the same play is a distinctive trait for the human being, for the play found among the mammals is restricted to a shorter period of their childhood, after which the ...
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Play with Me: Dynamics of Resistance in Play
Playing is one of the core activities that marks childhood. Brougère (1994) recognises play as an instrument of expression in which children externalise and reconstruct their experiences, thus being a fundamental ally of development. It is through play that they interact with their peers and the world around them, resignifying their reality through ...Hejlesen, Jonas Tellefsen +1 more
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Play up! play up! and play the game
2017Numbers occur quite frequently in the abbreviations used in the social media. Due to the bizarre spelling system of English, numbers can be used in many different ways: /won/, 2) /tu/, 3) /thri/ or /fri/, 4) /for/, 8) /eit/
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