Results 11 to 20 of about 505 (166)

Da sátira obscena ao axioma do frei: poesia romântica e homoerotismo no Brasil (1850-1864)

Journal of Lusophone Studies, 2019
This paper addresses the emergence of homoerotic themes in the context of Brazilian romanticism, in poetic works obviously outside or on the margins of the official canon.
Vagner Camilo
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Innovation and traditionalism in Hooshang Ebtehaj,s lyric poems [PDF]

مطالعات زبانی و بلاغی, 2014
AmirHooshang Ebtehaj (Saye) is a powerful and proficient poet. He is one of the best and most well known contemporary composers of lyric poems. He has tested both poetic styles: traditional and nimaeian.
نجمه نوروزی, سعید حاتمی, جلیل شاکری   +2 more
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Τὸ καλόν as a Criterion for Evaluating Innovation (τὸ καινόν) in Greek Theory of Musical Education: “Ancient” versus “New” Music in Ps. Plut. De musica

Peitho, 2017
The Pseudo-Plutarchan De musica provides us with the oldest history of Greek lyric poetry from the pre-Homeric epic poetry to the lyric poetry of the fourth century B.C.
Antonietta Gostoli
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Die antieke Griekse ‘religieuse’ liriek

Literator, 1995
All occasions during which ancient Greek lyric was performed, were originally and intrinsically embedded in religious ceremony, but certain lyric forms were addressed more directly to some divine being in whose honour the ceremony was being performed ...
W. J. Henderson
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Narrative strategies in Sir Philip Sidney’s Astrophil and Stella

Literator, 2010
In this article I suggest that historically lyric and narrative are not mutually exclusive categories. Focusing on the case of Sir Philip Sidney’s sonnet sequence, “Astrophil and Stella”, I argue that the fundamentally lyric form of the sonnet functions ...
J. Gouws
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Modern Lyric Poems: From Poetic Genre to Cognitive Category

Zagadnienia Rodzajów Literackich, 2023
Literary genres are important concepts for literary scholars and students of literature alike. Yet differences in opinion are common when defining which literary genre a given text fits best.
Craig Hamilton
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Kategorie czasu i aspektu jako środek nadawania pierwszoplanowości w liryce – analiza oryginału i przekładów wiersza Osipa Mandelsztama "Wiatr otuchę w nas tchnął…"

Między Oryginałem a Przekładem, 2017
Foregrounding through Tense/Aspect Morphology in Lyric Poetry– analysis of Osip Mandelstam’s Poem The Wind Brought Us Comfort… and Its Polish and English Translations The aim of this article is to show how tense-aspect morphology could be used for ...
Józefina Piątkowska
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Strumenti musicali tra generi letterari e performance poetica. L’opposizione tra aulos e barbiton in Crizia (1 D.-K. = 8 Gent.-Pr.), Anacreonte e Teleste (806 PMG)

Annali Online dell'Università di Ferrara. Sezione Lettere, 2011
The opposition between aulos and barbiton in Critias 1 D.-K. = 8 Gent.-Pr. is reconsidered in light of Telestes 806 PMG. Within a comprehensive theory of the Greek archaic lyric the musical instruments are not significant in postulating distinctions ...
Alessandro Iannucci
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Lyric folk poetry of the Serbs from Kosovo and Metohija: An overview [PDF]

Zbornik Radova Filozofskog Fakulteta u Prištini
This paper provides a general overview of the lyric folk poems of the Serbs from Kosovo and Metohija, an integral part of the broader lyric folk tradition that constitutes the poetic heritage of the Serbian people. Shaped by the specific socio-historical
Pitulić Valentina D.
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Pielęgnowanie intymności – użycie drugiej osoby gramatycznej w poezji lirycznej

Teksty Drugie, 2020
Philosophers discussing lyric poetry often focus on first personal expression as a mark of the “lyric” which has resulted in a narrow characterisation of the nature of intimacy in lyric poetry that focuses on the individual poet, poetic voice, or reader.
Karen Simecek
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