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Translating Poetry

2022
Chapter 24 provides a history of thought on poetry translation ranging from the Roman poets translating Greek, to the experiments of Louis and Celia Zukovsky. They explore how poetic forms, for example the haiku and the sonnet, have been introduced to literary systems beyond their origins through translation, and how the poetry of the classical world ...
Nikolaou, Paschalis, Rossi, Cecilia
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Poetry translation

2011
After a short history of poetry translation, this article describes poetry’s key textual and extratextual features. The next section, Attitudes and approaches, looks at social attitudes towards poetry translation: the notion that poetry gets “lost in translation”, and the fact that poetry translators are highly visible.
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Translating Poetry

Greece and Rome, 1938
To take a piece of simple narrative prose and render everything in it in another language, not only the words but the implications in them and in their order, is a difficult thing. To do the same thing for a piece of verse, when metre and perhaps rhyme have to be taken into account, is still more difficult; and if the verse has attained to that subtle ...
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Poetry as Translation

Romanic Review
Abstract This essay reflects on the constitutive bilingualism that characterizes the self-translation of twentieth-century poets in dialect into Italian. Here, Agamben proposes, the poem no longer dwells within the identity of one language but finds a true home in the white space that joins and divides the two texts, often printed on ...
Giorgio Agamben, Kevin Attell
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Translation of poetry

2019
This paper deals with the main difficulties the translator faces while translating poetry (such as transfer of rhythm, rhyme, and of the whole impression of the poem), and suggests certain ways to overcome each of them. However, it is also important to mention that because of the fact that every epoch, every nation, and every culture solve the problems
Zemova, M. I., Bozhko, E. M.
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Persian Poetry, World Poetry, and Translatability

University of Toronto Quarterly, 2019
Although Goethe, who first propounded Weltliteratur, was inspired by Persian poetry, recent theorists of world literature have largely ignored it. Persian poetry thrived for hundreds of years across a vast swath of West, Central, and South Asia, but despite this transregional reach and influence, a dominant model of world literature as literature that
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