The reception of Hungarian cinema in Polish film criticism 1945–1989 [PDF]
In the years 1945–1989, a reader interested in Hungarian cinema could learn a lot about it from the Polish press, not only film-specific, although the number of publications devoted to this subject differed across time.
Zwierzchowski, Piotr
core +1 more source
Socialist film co-productions. The case of the Polish-Czechoslovak film co-production What Will My Wife Say to This? (1958) by Jaroslav Mach [PDF]
This article offers an analysis of the Polish-Czechoslovak co-production What Will My Wife Say to This? (Co řekne žena, 1958, directed by Jaroslav Mach) as seen from the perspective of production-related and cultural factors.
Ciszewska, Ewa
core +1 more source
Pierwszy raz w ciemnym kinie – filmowe reminiscencje w twórczości Krystyny Kofty
The article is an attempt to interpret the cinema experience from the perspective of contemporary theories of somatic reception. Attention is drawn to the formal aspect of two examples of cinema experiences by a contemporary Polish writer ...
Krzysztof Witczak
doaj +1 more source
War film as a political problem in Polish press 1945–1949 [PDF]
This book was financially supported by the National Programme for the Development of Humanities: project “Cinema: Intercultural Perspective. Western-European Cinema in Poland, Polish Cinema in Western Europe. Mutual Perception of Film Cultures (1918–1939)
Rachwald, Tomasz
core +1 more source
Film screenings in the “Polish territories” in 1896 and their international context [PDF]
This book was financially supported by the National Programme for the Development of Humanities: project “Cinema: Intercultural Perspective. Western-European Cinema in Poland, Polish Cinema in Western Europe. Mutual Perception of Film Cultures (1918–1939)
Dębski, Andrzej
core +1 more source
Sci-fEAST: Science fiction genre in Polish and Czechoslovakian cinema [PDF]
This article is based on research done as part of Sci-fEAST: the Science Fiction Genre in Central and Eastern Europe project initiated by the students of Charles University in Prague and continued also by the academic staff of the University of Łódź ...
Góralik, Mikołaj
core +1 more source
The Third Reich’s Pean of Praise for the November Uprising’s Glory: Karl Hartl’s Ritt in Die Freiheit (1936) [PDF]
This book was financially supported by the National Programme for the Development of Humanities: project “Cinema: Intercultural Perspective. Western-European Cinema in Poland, Polish Cinema in Western Europe. Mutual Perception of Film Cultures (1918–1939)
Kłys, Tomasz
core +1 more source
The presented study aims to describe the outdoor movie project called ‘Light-Sensitive Poland’ [Pol. ‘Polska Światloczula’] in two perspectives – functional and interactive.
Ewelina Wejbert-Wąsiewicz
semanticscholar +1 more source
The Place of Polish Films on German market between 1920s and 1930s, with special emphasis on Borderlands [PDF]
This book was financially supported by the National Programme for the Development of Humanities: project “Cinema: Intercultural Perspective. Western-European Cinema in Poland, Polish Cinema in Western Europe. Mutual Perception of Film Cultures (1918–1939)
Biel, Urszula
core +1 more source
Cinema programs as a source for research on historical film audiences. Berlin 1945–1949 [PDF]
In my paper, I analyse programs from cinemas in all four sectors of occupied Berlin from 1945 to 1949. I focus primarily on ads. Looking at cinema programs allows me to conduct research on local audiences by taking into consideration the social ...
Saryusz-Wolska, Magdalena
core +1 more source

