Results 41 to 50 of about 511 (161)

Poetyka filmów szkoły polskiej
 (kilka refleksji o inspiracjach)

Postscriptum Polonistyczne, 2020
The article is devoted to the Polish Film School. The origins of the phenomenon are presented against the background of Polish cinema in post­communist times.
Alicja Helman
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„Ближайшая станция европейской культуры…”: полонофилия 60-х годов

Studia Rossica Posnaniensia, 2019
The article attempts to trace the sources of “polonophilia” in the Soviet culture of the sixties and to consider the strategies of the representation of the Polish text in Russian literature after the Khrushchev Thaw on the material of Stanislav Kunyaev,
Kristina Vorontsova
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On a construction site – a change of perspectives. Architecture in Polish documentaries of the 1960s.

Images, 2019
Film documentaries: Energia [Energy] by Władysław Ślesicki and Czas przemiany [The Time of Transformation] by Andrzej Piekutowski are film examples of changing perspectives in Polish documentary film of the 1960s. The creators undertook the themes known
Wojciech Otto
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Can popular films instil carcinophobia? Images of cancer in popular Polish cinema. [PDF]

Front Oncol, 2022
Domaradzki J.
europepmc   +1 more source

The apparent charm of glocalisation. Polish Netflix and politics of representation

Acta Universitatis Wratislaviensis. Prace Kulturoznawcze
In this article Netflix is presented in the context of its global and glocal activities in Polish media market. Glocalisation is understood as local execution of global interests.
Kamil Walczak
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Escape from the periphery. World-system of cinema and Polish film

Studia Filmoznawcze
The main aim of this text is to outline the possibilities of applying Immanuel Wallerstein’s world-systems theory to the analysis of cinema. Concepts developed by Wallerstein, especially the notion of the relationship between the core and the periphery ...
Miłosz Stelmach
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Affirmation, Acceptance and Rejection: Polish Contemporary Documentary Filmmakers and their Relation to Poland’s Documentary Film Tradition

Images, 2014
This paper attempts to define the complex attitude to the tradition in Poland of fact-driven cinema shared by members of the young generation of Polish documentary filmmakers.
Katarzyna Mąka-Malatytńska
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Cozy Homes? Rooms and apartments of the intelligentsia in Polish drama films, 1956–1970

Images, 2019
The article presents the problems of private life of intellectuals in Poland “after Yalta” through the prism of the cinema. The biggest problem of people in the 1950s and 1960s was the lack of a satisfying home. The homes of young intellectuals shown in
Barbara Lena Gierszewska
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Andrzej Wajda’s Sweet Rush as an Extended Film Adaptation [PDF]

Художественная культура
The film adaptation of Jarosław Iwaszkiewicz’s novel Sweet Rush (Tatarak) was the last in a series of films by Andrzej Wajda based on the prose of the outstanding Polish writer.
Viren Denis G.
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Półka filmowa 2016 (i trochę 2017)

Postscriptum Polonistyczne, 2020
The article summarises the 2016 film season and mentions a few films that have been released in 2017. The author presents the advantages and disadvantages of certain films regarded as material to Polish culture. The article describes the following movies:
Agnieszka Tambor
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