Results 41 to 50 of about 1,657 (196)

Przemiany bohatera w powojennym kinie polskim – od Supermana do Wonder Woman

Postscriptum Polonistyczne, 2020
The article presents the evolution of the heroes in Polish cinema after the Second World War, as well as while showing the characters that influenced the social awareness of Poles, it reveals those which have been created in response to the social needs.
Agnieszka Tambor
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Dis/Possessing the Polish Past in Marcin Wrona’s Demon

Humanities, 2020
The article examines how Marcin Wrona’s Demon (2015) reworks the Jewish myth of a dybbuk in order to discuss how and to what extent a spectral haunting may disrupt acts of collective forgetting, which are in turn fueled by repression, repudiation, and ...
Agnieszka Kotwasińska
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Representations of Female Sexuality in Polish cinema after 1989

, 2005
REPRESENTATIONS OF FEMALE SEXUALITY IN POLISH CINEMA AFTER 1989: LIBERATION OR COMMODIFICATION? IN CONSIDERING the issue of female sexuality in Polish cinema after 1989 it is necessary to locate it within the broader context of the Polish ideological ...
Ostrowska, Elżbieta
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The Place of Polish Films on German market between 1920s and 1930s, with special emphasis on Borderlands [PDF]

, 2015
This book was financially supported by the National Programme for the Development of Humanities: project “Cinema: Intercultural Perspective. Western-European Cinema in Poland, Polish Cinema in Western Europe. Mutual Perception of Film Cultures (1918–1939)
Urszula Biel, Biel, Urszula
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Nagość jako strategia promocyjna kina polskiego lat 80.

Images, 2018
The article examines how nudity was used as a promotional strategy in the Polish cinema in the 1980s. In contrast to earlier decades, the Polish movie industry delivered dozens of films that contained female nudity and erotic scenes. Some actresses like
Piotr Zwierzchowski
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Kino pamięci narodowej jako proteza: Filmy o żołnierzach wyklętych

Sprawy Narodowościowe. Seria nowa, 2019
Cinema of national remembrance as a prosthesis: Polish films on cursed soldiers Despite the established position of historical cinema and the huge social expectations revealed by the reception of the long delayed release of Historia Roja (2016, dir ...
Elżbieta Durys
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The Political Unconscious of Polish 1990s Cinema

The Polish Review
Abstract Andrzej Żuławski's Szamanka [She-Shaman, 1996], based on a screenplay by feminist writer Manuela Gretkowska, uses obscene fantasy to expose the social dynamics of 1990s’ Poland. These were obscured by the ideological fantasies that reinforced the reactionary ideology of the transition, excluding the lower classes from the ...
Sebastian Jagielski, Robert Gałązka
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In case of digital history of Polish cinema

, 2017
Digital cinema history should support the conduct of free research, encourage authors to share the results of their findings and source discoveries. The problem is that Polish digital history of cinema on one hand is very poor (still a small part of ...
Gierszewska, Barbara Lena
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Queer theory and Polish cinema

, 2012
There has never been the Polish version of "Gay Cinema" or "New Queer Cinema". However, in the Polish movies one can easily trace numerous nonstandard characters, elements, and themes permeated with queer desire and rendered in queer aesthetics.
Jagielski, Sebastian
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Polskie tłumaczenie napisowe w 1930 roku

Między Oryginałem a Przekładem, 2019
Polish Subtitling in 1930 Film subtitle translation, contrary to frequently quoted opinions, did not start with the introduction of sound in films, which occurred in Poland in the 1929/30 cinema season.
Elżbieta Plewa
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