Results 51 to 60 of about 1,657 (196)

Three decades of Polish films at the Venice and Cannes Film Festivals: the 1940s, 1950s and 1960s

, 2014
Book synopsis: The opening up of Poland economically and politically to global influences after the fall of the Berlin Wall in 1989, coupled with the rise of transnational approaches to the study of film, presents ideal conditions for examining Polish ...
Ostrowska, Dorota
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Poetyka filmów szkoły polskiej
 (kilka refleksji o inspiracjach)

Postscriptum Polonistyczne, 2020
The article is devoted to the Polish Film School. The origins of the phenomenon are presented against the background of Polish cinema in post­communist times.
Alicja Helman
doaj  

„Ближайшая станция европейской культуры…”: полонофилия 60-х годов

Studia Rossica Posnaniensia, 2019
The article attempts to trace the sources of “polonophilia” in the Soviet culture of the sixties and to consider the strategies of the representation of the Polish text in Russian literature after the Khrushchev Thaw on the material of Stanislav Kunyaev,
Kristina Vorontsova
doaj   +1 more source

On a construction site – a change of perspectives. Architecture in Polish documentaries of the 1960s.

Images, 2019
Film documentaries: Energia [Energy] by Władysław Ślesicki and Czas przemiany [The Time of Transformation] by Andrzej Piekutowski are film examples of changing perspectives in Polish documentary film of the 1960s. The creators undertook the themes known
Wojciech Otto
doaj   +1 more source

Figure of Post-Communist Desire?: The Performance of Katarzyna Figura and the Becoming-Popular of Polish Cinema

, 2008
This chapter looks at the performance of the polish actress Katarzyna Figura across a number of films before and after post-communist transition, as a symptom of this period of transition in both Polish cinema and ...
Goddard, M.
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The Meanders of Populism in Polish Cinema

, 2023
The term populism typically refers to a political position that contrasts ‘the people’ to ‘the elite’, presenting the former as a morally good force and the latter as selfish and corrupt.
Mazierska, Ewa Hanna
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Socialist film co-productions. The case of the Polish-Czechoslovak film co-production What Will My Wife Say to This? (1958) by Jaroslav Mach [PDF]

, 2015
This article offers an analysis of the Polish-Czechoslovak co-production What Will My Wife Say to This? (Co řekne žena, 1958, directed by Jaroslav Mach) as seen from the perspective of production-related and cultural factors.
Ciszewska, Ewa, Ewa Ciszewska
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Russians abroad in postcommunist cinema

, 2010
This study seeks to analyse cinematic representations of Russian characters that are portrayed as existing outside the Russian Federation,or ‘abroad’, by focusing on postcommunist cinema and the way it depicts the changing identities that occurred with ...
Kristensen, Lars Lyngsgaard Fjord
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Can popular films instil carcinophobia? Images of cancer in popular Polish cinema. [PDF]

Front Oncol, 2022
Domaradzki J.
europepmc   +1 more source

Folding cubanidad : a Deleuzian approach to contemporary Cuban cinema

, 2013
Electronic version excludes material for which permission has not been granted by the rights holder. Copyright permissions are pending.In this thesis I look at the way in which Cuban cinema of the post-Cold War period re-envisions the image of the nation
Monaldi, Paola
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