Results 61 to 70 of about 1,657 (196)

The apparent charm of glocalisation. Polish Netflix and politics of representation

Acta Universitatis Wratislaviensis. Prace Kulturoznawcze
In this article Netflix is presented in the context of its global and glocal activities in Polish media market. Glocalisation is understood as local execution of global interests.
Kamil Walczak
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Escape from the periphery. World-system of cinema and Polish film

Studia Filmoznawcze
The main aim of this text is to outline the possibilities of applying Immanuel Wallerstein’s world-systems theory to the analysis of cinema. Concepts developed by Wallerstein, especially the notion of the relationship between the core and the periphery ...
Miłosz Stelmach
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Affirmation, Acceptance and Rejection: Polish Contemporary Documentary Filmmakers and their Relation to Poland’s Documentary Film Tradition

Images, 2014
This paper attempts to define the complex attitude to the tradition in Poland of fact-driven cinema shared by members of the young generation of Polish documentary filmmakers.
Katarzyna Mąka-Malatytńska
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Cinema programs as a source for research on historical film audiences. Berlin 1945–1949 [PDF]

, 2015
In my paper, I analyse programs from cinemas in all four sectors of occupied Berlin from 1945 to 1949. I focus primarily on ads. Looking at cinema programs allows me to conduct research on local audiences by taking into consideration the social ...
Magdalena Saryusz-Wolska, Saryusz-Wolska, Magdalena   +1 more
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Cozy Homes? Rooms and apartments of the intelligentsia in Polish drama films, 1956–1970

Images, 2019
The article presents the problems of private life of intellectuals in Poland “after Yalta” through the prism of the cinema. The biggest problem of people in the 1950s and 1960s was the lack of a satisfying home. The homes of young intellectuals shown in
Barbara Lena Gierszewska
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Polish Cinema after the Reforms (2005–2010)

, 2010
The article presents Polish cinema after the reforms. The author begins with the origins of Polish cinematography in 1910 and follows with its evolution throughout the years.
Miczka, Tadeusz
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Andrzej Wajda’s Sweet Rush as an Extended Film Adaptation [PDF]

Художественная культура
The film adaptation of Jarosław Iwaszkiewicz’s novel Sweet Rush (Tatarak) was the last in a series of films by Andrzej Wajda based on the prose of the outstanding Polish writer.
Viren Denis G.
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The perpetuation of the myth of the Polish mother in Polish nationalist discourse through selected films from the communist era

, 2017
The aim of this thesis is to examine the myth of the Polish Mother within Polish national discourse and its manifestations in the realm of cinema. In the first part of my paper I will trace the origins of the myth, its evolution, and its cultural and ...
Katarzyna Izabela Rogawska
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Półka filmowa 2016 (i trochę 2017)

Postscriptum Polonistyczne, 2020
The article summarises the 2016 film season and mentions a few films that have been released in 2017. The author presents the advantages and disadvantages of certain films regarded as material to Polish culture. The article describes the following movies:
Agnieszka Tambor
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Polska krytyka filmowa kina dokumentalnego w czasopismach branżowych. Od końca II wojny światowej do przełomu cyfrowego. Rekonesans badawczy

Images
The subject of this paper is Polish film criticism of documentary cinema present in the Polish trade magazines from the end of the Second World War (1945) to the digital turn (circa 2000).
Mateusz Drewniak
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