Results 31 to 40 of about 511 (161)

Dis/Possessing the Polish Past in Marcin Wrona’s Demon

Humanities, 2020
The article examines how Marcin Wrona’s Demon (2015) reworks the Jewish myth of a dybbuk in order to discuss how and to what extent a spectral haunting may disrupt acts of collective forgetting, which are in turn fueled by repression, repudiation, and ...
Agnieszka Kotwasińska
doaj   +1 more source

Kino pamięci narodowej jako proteza: Filmy o żołnierzach wyklętych

Sprawy Narodowościowe. Seria nowa, 2019
Cinema of national remembrance as a prosthesis: Polish films on cursed soldiers Despite the established position of historical cinema and the huge social expectations revealed by the reception of the long delayed release of Historia Roja (2016, dir ...
Elżbieta Durys
doaj   +1 more source

“Close Enough”: Images of the Failure of the 1990s’ Political Transformation in Poland as Exemplified by Władysław Pasikowski’s “Psy” [Pigs] and Andrzej Żuławski’s “Szamanka” [She-Shaman]

Studia Litteraria et Historica, 2020
This article problematizes the Polish cinema of the 1990s by analyzing it in terms of the aesthetic of failure. Of crucial importance for that interpretation is the postcolonial perspective.
Tomasz Szczepanek
doaj   +1 more source

Nagość jako strategia promocyjna kina polskiego lat 80.

Images, 2018
The article examines how nudity was used as a promotional strategy in the Polish cinema in the 1980s. In contrast to earlier decades, the Polish movie industry delivered dozens of films that contained female nudity and erotic scenes. Some actresses like
Piotr Zwierzchowski
doaj   +1 more source

Heroines of Polish Cinema

Kinema: A Journal for Film and Audiovisual Media, 2002
AGNIESZKA AND OTHER SOLIDARITY HEROINES OF POLISH CINEMA Agnieszka is the heroine of two of Andrzej Wajda's films, Człowiek z marmuru (Man of Marble, 1976) and Człowiek z żelaza (Man of Iron, 1981). However, in Man of Iron, Agnieszka has quite a different personality and has a different narrative function, compared with Agnieszka in Man of Marble ...
openaire   +2 more sources

Kino polskie w kontekście międzynarodowym. Manchester, 3-5 grudnia 2009

Kwartalnik Filmowy, 2009
Relacja z konferencji naukowej „Polish Cinema in an International Context”, która miała miejsce między 3 a 5 grudnia 2009 r. w Manchesterze.
Karolina Kosińska
doaj   +1 more source

The Political Unconscious of Polish 1990s Cinema

The Polish Review
Abstract Andrzej Żuławski's Szamanka [She-Shaman, 1996], based on a screenplay by feminist writer Manuela Gretkowska, uses obscene fantasy to expose the social dynamics of 1990s’ Poland. These were obscured by the ideological fantasies that reinforced the reactionary ideology of the transition, excluding the lower classes from the ...
Sebastian Jagielski, Robert Gałązka
openaire   +2 more sources

Integracja nowych wrocławian przez film. Polish Cinema for Beginners — studium przypadku

Studia Filmoznawcze
The article presents the history of the project “Polish Cinema for Beginners”, which since 2012 has been introducing Polish films to foreigners living in Wrocław using the formula known from film societies.
Adam Kruk
doaj   +1 more source

Women and Polish Cinema

Across Polish film history, the contributions of women have often been overshadowed by their male counterparts. While figures like Wanda Jakubowska, Barbara Sass-Zdort, and Agnieszka Holland have garnered recognition, many others remain marginalized and their work alarmingly under-researched.
Radkiewicz, Małgorzata, Ostrowska, Elżbieta   +1 more
openaire   +2 more sources

Polskie tłumaczenie napisowe w 1930 roku

Między Oryginałem a Przekładem, 2019
Polish Subtitling in 1930 Film subtitle translation, contrary to frequently quoted opinions, did not start with the introduction of sound in films, which occurred in Poland in the 1929/30 cinema season.
Elżbieta Plewa
doaj   +1 more source