Results 21 to 30 of about 511 (161)
This paper is dedicated to the analysis of the development of Central European road movies after 2004, with special consideration given to Polish and Czech cinematography. The films which have been discussed are Polish productions Francuski numer (2006,
Michael Gott, Kris Van Heuckelom
doaj +1 more source
Pod upadającym nadzorem. Cenzura filmów polskich w latach 1986–1989
The article reconstructs the final three years of film censorship activities in the Polish People’s Republic. The author understands the term “censorship” not only as the activities of the Main Office for the Control of the Press, Publications and
Emil Sowiński
doaj +1 more source
Cinema and Polish-Ukrainian Relations Between the 1990s and 2010s
The article reviews the role of feature films that recreate the conflictual relations of the shared history which Poland and Ukraine look at from significantly different vantage points.
Liubov Krupnyk
doaj +1 more source
The article concerns a specific period in the history of Polish cinematography, called socialist realism (1949–1954). The new style of filmmaking (according to the ideology of the Polish Communist Party), was imposed by the filmmakers, but was not ...
Marek Sokołowski
doaj +1 more source
Polska produkcja filmowa po roku 2005 w perspektywie badań ilościowych
The aim of the article is to present the contemporary Polish cinema as the integrated economic, cultural and legal system, to quote dispersed data and to present the data generated by the autohor, which is her own contribution into the ...
Anna Wróblewska
doaj +1 more source
U źródeł polskiej krytyki filmowej: Antoni Słonimski
The subject of this study is an almost completely forgotten chapter of the early literary work of Antoni Słonimski, which is his precursory activity on the ground of Polish film criticism of the years 1922-1923 in the columns of the all-Polish daily ...
Marek Hendrykowski
doaj +1 more source
The Polish Musical Film of the 1930s: From the Musicals to Film Adaptations of Stanisław Moniuszko’s Operas [PDF]
The author focuses on one of the most striking phenomena of European cinema of the interwar period, a musical film and musical comedy in particular, which vividly declared itself in Poland in 1930 (almost simultaneously with the advent of sound cinema ...
Sobakina Olga V.
doaj +1 more source
Nowi Londyńczycy. Polscy emigranci na dużym (i małym) ekranie
The article focuses on growing presence of Polish labour immigrants in contemporary European cinema and TV fiction. Striking differences are observed between pre1989 and post1989 productions on the subject of labour migration.
Kris Van Heuckelom
doaj
Softening of Polish Rock of the 1960s and Early 1970s through Screen Media
The purpose of this article is to examine the representation of Polish rock in Polish cinema and television in the 1960s and the 1970s, in other words (roughly) the first decade of the existence of Polish rock.
Ewa Mazierska
doaj
Przemiany bohatera w powojennym kinie polskim – od Supermana do Wonder Woman
The article presents the evolution of the heroes in Polish cinema after the Second World War, as well as while showing the characters that influenced the social awareness of Poles, it reveals those which have been created in response to the social needs.
Agnieszka Tambor
doaj

