Results 251 to 260 of about 73,880 (300)
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2020
Abstract This chapter aims to determine whether there is a principled distinction between popular music and other music. Rejecting a quantitative interpretation of “popular” as anything that is widely enjoyed, this essay defends a model in which popular music stands in a contrastive relationship to so-called “art” music, where particular
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Abstract This chapter aims to determine whether there is a principled distinction between popular music and other music. Rejecting a quantitative interpretation of “popular” as anything that is widely enjoyed, this essay defends a model in which popular music stands in a contrastive relationship to so-called “art” music, where particular
openaire +2 more sources
Popular music education in and for itself, and for ‘other’ music: current research in the classroom [PDF]
International Journal of Music Education, 2006 This article considers some ways in which the school classroom enters into, changes and complicates musical meanings, focussing particularly on the role of popular music and how it relates to classical music. I suggest that in bringing popular music into
Lucy Green
exaly +1 more source
2021
In On Popular Music (a title appropriated from an essay by the legendary grump, Theodor Adorno) the cultural theorist, Macon Holt, summarises the thesis of his book “Pop Music and Hip Ennui: A Sonic Fiction of Capitalist Realism” in an accessible way that dumbs nothing down. Starting with an exploration of the renowned theorists and collaborators, Mark
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In On Popular Music (a title appropriated from an essay by the legendary grump, Theodor Adorno) the cultural theorist, Macon Holt, summarises the thesis of his book “Pop Music and Hip Ennui: A Sonic Fiction of Capitalist Realism” in an accessible way that dumbs nothing down. Starting with an exploration of the renowned theorists and collaborators, Mark
openaire +2 more sources
1995
Abstract This chapter describes the basic guidelines for recording live music in the recording studio. This falls into two main categories: (a) orchestral music with rhythm section as used for easy listening albums, musicals, TV background music, and commercials; (b) small ensemble rock and pop groups aimed at the popular music charts.
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Abstract This chapter describes the basic guidelines for recording live music in the recording studio. This falls into two main categories: (a) orchestral music with rhythm section as used for easy listening albums, musicals, TV background music, and commercials; (b) small ensemble rock and pop groups aimed at the popular music charts.
openaire +1 more source
Popular music reaction videos: Reactivity, creator labor, and the performance of listening online
New Media and Society, 2021Byrd Mcdaniel
exaly
Constructing popular music programs at Higher Music Education Institutions across Europe
International Journal of Music Education, 2023Pauwke Berkers
exaly