Results 21 to 30 of about 2,618,032 (278)
Based on sample evaluation, this article investigates didactic actions and the display of expertise within the field of popular music-related online tutorials distributed on YouTube.
Christofer Jost
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Reflections on Popular Music Studies in Turkey
This article reviews the state of popular music studies in Turkey in comparison to IASPM's Anglo-American history of popular music studies. The main focus is on the similarities and dissimilarities in studies based on shifts in paradigms: firstly the ...
Ali C. Gedik
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Editorial Introduction: Popular Music in Education, Special Issue [PDF]
This Popular Music in Education (PME) special issue includes contributions discussing developments in several countries, including Argentina, Australia, Brazil, Canada, Germany, Singapore and the United States.
Green, Lucy, Lebler, Don, Till, Rupert
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By applying different (competing) understandings of the term “popular”, this article showcases the criteria by which Popular Christian Music (labelled Contemporary Christian Music by the US music industry) can be described as “popular”.
Kopanski, Reinhard
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Fully Automated Luxury Composition [PDF]
This practice-based research attempts to answer the question of how utopian thinking might be applied to popular music composition. It begins by looking at automation, utopia and the utopian impulse and how they compliment as well as conflict with ...
Paul Wolinski
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Adorno is a punk rocker: Negation and 80s alternative rock music [PDF]
It is a “rite of passage” for the aspiring pop music scholar, myself included, to refute Theodor Adorno’s well-known condemnation of popular music (Gendron, 1986; Toynbee, 2000: 3-8; Middleton, 1990: 34-63).
Bannister, Matthew
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Pleasurable and Intersubjectively Embodied Experiences of Electronic Dance Music
How do dancers engage with electronic dance music (EDM) when dancing? This paper reports on an empirical study of dancers' pleasurable engagement with three structural properties of EDM: (1) breakdown, (2) build-up, and (3) drop.
Ragnhild Torvanger Solberg +1 more
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Popular Music Studies and Ethnomusicology in Australasia [PDF]
A characteristic of the field of popular music studies in Australia and New Zealand (Australasia) is the strong and enduring presence of ethnomusicology and allied ethnographic approaches to popular music research in this region.
Dan Bendrups
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Art to Commerce: The Trajectory of Popular Music Criticism [PDF]
This article reports the results of a content and textual analysis of popular music criticism from the 1960s to the 2000s to discern the extent to which criticism has shifted focus from matters of music to matters of business.
Thomas Conner, Steve Jones
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Caught on the Back Foot: epistemic inertia and visible music
This paper explores the position of popular music studies thirty years since the formation of the International Association for the Study of Popular Music. Founder member of the association, Phillip Tagg, discusses what issues need to be addressed in the
Philip Tagg
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