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Communication Booknotes, 1977
Samuel Charters' The Legacy of the Blues (New York: Da Capo Press, 1977—$4.95, paper) Giles Oakley The Devil's Musk: A History of the Blues (New York: Taplinger, 1977—$14.95) William J. Schafer and Johannes Riedel's The Art of Ragtime: Form and Meaning of an Original Black American Art (New York: Da Capo Press, 1977—$5.95, paper) Whitney Balliett's New
Samuel Charters +20 more
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Samuel Charters' The Legacy of the Blues (New York: Da Capo Press, 1977—$4.95, paper) Giles Oakley The Devil's Musk: A History of the Blues (New York: Taplinger, 1977—$14.95) William J. Schafer and Johannes Riedel's The Art of Ragtime: Form and Meaning of an Original Black American Art (New York: Da Capo Press, 1977—$5.95, paper) Whitney Balliett's New
Samuel Charters +20 more
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Contemporary Popular Music Studies
2019The volume Contemporary Popular Music Studies: Proceedings of the 19th Conference of the International Association for the Study of Popular Music (Kassel, Germany, 26–30 June 2017) presents the continuation of the publishing activity within Springer’s series “Systematische Musikwissenschaft” (edited by Jan Hemming) related to the 19th Biennial IASPM ...
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Inter‐Asia popular music studies: cultural studies of popular music in Asia
Inter-Asia Cultural Studies, 2009This special issue of Inter‐Asia Cultural Studies is a collection of research papers about popular music in Asia.
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Reformasi-Era Popular Music Studies
2022This chapter reconsiders the history of popular music studies in Indonesia. It shows a novel paradigm for the analysis of post-Reformasi-era popular music studies. Prior analyses, as the chapter suggests, were preoccupied with nationalism, democratization, totalitarianism, and identity, viewing popular music primarily (or only) as a form of political ...
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Ethnography and popular music studies
Popular Music, 1993Simon Frith (1982) once bemoaned the fact that students would rather sit in the library and study popular music (mainly punk) in terms of the appropriate cultural theory, than conduct ethnographic research which would treat popular music as social practice and process. Ten years later the literature on popular music is still lacking in ethnography.
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Looking Towards the Future: Popular Music Studies and Music Scholarship
Twentieth-Century Music, 2020In the foreword to the first issue of Popular Music and Society, published in 1971, Ray B. Browne wrote that, ‘until very recently … academics, with a few notable exceptions, were by and large indifferent to the role of popular music in their world’; he then recounted a rejection he had received from an academic journal, whose editor had written that, ‘
BRIAN F. WRIGHT +2 more
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Popular Music Studies and Interdisciplinarity
Journal of World Popular Music, 2019Recent trends suggest that the interdisciplinary character that defined popular music studies in its formative stages has been supplanted by retrenchment along lines of disciplinary or sub-disciplinary alliance. In this article, I briefly survey some of the signs of the field’s realignment in the past two decades, drawing upon my experience as ...
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