Results 11 to 20 of about 194,696 (300)
Projekt Matoševa spomenika u Zagrebu godine 1938. s pregledom vrijedne likovne „matošiane”
The paper describes the first organized attempt to erect a monument to A.G. Matoš in Zagreb (1938), an erected monument – Matoš on the bench – made by I.
Katica Čorkalo Jemrić
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Portraits on canvas from photos as a 19th-century portrait making technique [PDF]
The relationship between painting and photography has been dynamic since its invention in 1839. Seeking its place among the arts, photography was a useful tool for many.
Korolija-Crkvenjakov Daniela +2 more
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Costumes of the Serbian laity in Ottoman-era portraits: Markers of social status and identity [PDF]
The paper examines Ottoman-era portraits of the Serbian laity from the second half of the fifteenth to the seventeenth century, comparing their costumes with those of Christians represented in the same period in neighboring areas. Informative sources are
Starodubcev Tatjana
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Women in Fur: Empire, Power, and Play in a Victorian Photography Album
The craze for carte-de-visite portraits in the early 1860s established photography as an intensely social practice. As cartes were bought, gifted, traded, archived, and displayed, they captured and created social networks.
Sarah Parsons
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The Precision Portrait is a mixed-media portrait illustrating the future of precision medicine and its ethical challenges.
Samuel, Rodriguez, Nick, Love
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The “A Graceful Death Exhibition”: Portraits and Words from the End of Life
This article discusses the lack of knowledge and awareness that hampers end of life experiences, for both the dying and those left behind. It draws on personal experiences, and explores working creatively with dying people, using observations, painting ...
Antonia Rolls
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The Conundrum of Queen Min’s Portrait: A Denied or Partial Identity? [PDF]
Queen Min (1851-1895) is described in numerous texts including diaries and newspaper articles written by Western, Japanese and Korean authors who lived in Korea between the late 19th and early 20th centuries. However, she is without visual identity, i.e.,
Antonetta L. Bruno, Kukjin Kim
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