Results 61 to 70 of about 21,271 (272)

Public Talk on 'Post-Migrant' Theatre [PDF]

open access: yes, 2017
Was war vor dem Post? Eine historische Perspektive auf postmigrantisches Theater. We happily announce and cordially invite to the public talk on Post-Migrant Theatre by Azadeh Sharifi, associate of the Centre for Global Theatre History, Dr.
Nic Leonhardt
core  

Reconsidering Acting: a few improvised and provisory thoughts on acting today

open access: yesRevista Brasileira de Estudos da Presença, 2015
This paper summarizes my thoughts during the presentation of the conference Acting reconsidered. The study of the actor in contemporary performances should be reevaluated in the light of the experiments of the last fifty years, particularly performance ...
Patrice Pavis (University of Kent, Canterbury – United Kingdom)
doaj  

Vivre du théâtre d’entreprise

open access: yesRecherches Sociologiques et Anthropologiques, 2019
The first experiments in business theatre aimed at solving internal “dysfunctions” in companies were launched in France in the late 1980s. However, these plays were performed by professional actors and actresses who played fictitious characters related ...
Cécile Ferro, Marie Buscatto
doaj   +1 more source

Analysis on Suspending Representation in Samuel Beckett's Later Drama and Gertrude Stein's Landscape Theatre as a Prehistory of Post-Dramatic Theatre View on Text

open access: yes, 2023
This research aims to read the writing of the inexpressible by looking at the works of Samuel Beckett and Gertrude Stein. In this way, by referring to the idea of Gertrude Stein's Landscape theatre and Beckett's late works, research would study the materialization of the dramatic text.
Khosroabadi, Alireza, Sepehran, Kamran
openaire   +1 more source

How weather got its words: a history of meteorological English – Part 1: Old English to the Age of Discovery

open access: yesWeather, EarlyView.
The English language is a gargantuan, gluttonous beast. It has become extraordinary among its peers in its powers of assimilation – such that we rarely consider the diverse origins of the words we use. In this two‐part paper, we will explore these origins, including the Pontic‐Caspian steppe, the British Empire, latinophone scientists and a TV show. We
Kieran M. R. Hunt
wiley   +1 more source

Crossings of epic theatre, post-dramatic theatre and the theatre of play in Rimas Tuminas' work [PDF]

open access: yes, 2012
Straipsnyje analizuojamos skirtingų teatro modelių – epinio, postdraminio ir žaidybinio teatro – sankirtos dviejuose Rimo Tumino spektakliuose – „Čia nebus mirties“ ir „Galilėjus“.
Balevičiūtė, Ramunė
core  

Mimesis in Crisis: Narration and Diegesis in Contemporary Anglophone Theatre and Drama

open access: yesText Matters, 2017
The main objective of my article is to investigate the ways in which contemporary Anglophone drama and theatre actively employ diegetic and narrative forms, setting them in conflict with the mimetic action.
Edyta Lorek-Jezińska
doaj   +1 more source

Il teatro della Taganka nel XXI secolo. Performatività della cultura russa sulla scena

open access: yesMantichora, 2020
The object of the paper is the latest theatrical production of one of the most influent director of XX century: Yuri Lyubimov. His provocative and innovative style is well known thanks to his performances staged in USSR and abroad, but we would to ...
Francesca Di Tonno
doaj   +1 more source

The company you keep: becoming one(self) in an Indonesian convent En bonne compagnie : devenir (quelqu’)un dans un couvent indonésien Pergaulan dalam biara di Indonesia: sebuah proses pembentukan diri*

open access: yesJournal of the Royal Anthropological Institute, EarlyView.
This article investigates companionate processes of self‐making in a religious community of Catholic nuns in eastern Indonesia. I argue that the sociality of the convent establishes a unique context for understanding the effects of one's company on processes of self‐becoming.
Meghan Rose Donnelly
wiley   +1 more source

“As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception

open access: yesSillages Critiques, 2011
As in other Shakespearean late plays, The Winter’s Tale, the question of art and the theatre is central, here especially in terms of reception and interpretation, then of hermeneutics.
Pierre Iselin
doaj   +1 more source

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