Results 71 to 80 of about 1,442 (179)

Postdramatic Spectatorship: Participate or Else

Critical Stages, 2012
Rachel Fensham
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Performing Shakespeare in Contemporary Japan: The Yamanote Jijosha’s The Tempest

Multicultural Shakespeare, 2016
In considering the Yamanote Jijosha’s The Tempest, this paper explores the significance of performing Shakespeare in contemporary Japan. The company’s The Tempest reveals to contemporary Japanese audiences the ambiguity of Shakespeare’s text by ...
Emi Hamana
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Active Experiencing in Postdramatic Performance: Affective Memory and Quarantine Theatre's Wallflower [PDF]

, 2018
Postdramatic approaches to performance and Stanislavsky's methodology seemingly occupy divergent performance traditions. Nonetheless, both traditions often require performers to mine their own lives (albeit to different ends) and operate in an ...
Crossley, TL, Tracy Crossley
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Postdramatikk, postmusikk, postkritikk.

Teatervitenskapelige Studier
The article explores connections and differences between the musical work TURBA / Theories of Mass Society (2003) by composer Trond Reinholdtsen, and elements from theatre scholar Hans-Thies Lehmann's concept of postdramatic theatre.
Hild Borchgrevink
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An Investigation into the Characteristics of Communities and Their Formation through Postdramatic Performance [PDF]

The hypothesis that postdramatic theatre can provoke a need for people to communicate and form a community is explored through observation of a given audience of 24 people, examined through the theories of Zygmunt Bauman, Gerard Delanty and Jean-Luc ...
Willett, Jennifer
core  

Postdramatic Tendencies in Martin Crimp’s Fewer Emergencies

Current Perspectives in Social Sciences
Martin Crimp has been one of the most prominent playwrights on the British stage since his first appearance. Although his oeuvre consists of absurdist and postdramatic plays, he translated classic texts such as Cyrano De Bergerac, Rhinoceros, The Seagull
Çağlayan Doğan
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The Reception of Ancient Tragedy in Postdramatic Theatre [PDF]

, 2015
The reception of ancient tragedy is one of the most research-active areas within classical reception studies. The majority of scholarship, however, focuses upon watershed performances and staged translations and adaptations.
Cole, EK
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Actors of Becoming. Aristotle and the new mimesis’ profils

Nóema, 2013
A new critical reading of Aristotle’s Poetics help us to focus in a different way the debate about Aritotleism and anti-Aristotleism in XX century’s theatre.
Antonio Attisani
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Musical discourse in the postdramatic theatre [PDF]

, 2017
Postdraminio teatro erdvė yra atvira naujos ne(be)draminės naracijos kūrimosi galimybėms: muzikinė naracija pajėgi pakeisti literatūrinį draminį naratyvą, neprarasdama vieno pagrindinių pasakojimo uždavinių – papasakoti istoriją.
Mačiliūnaitė-Dočkuvienė, Rita
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Towards a Postdramatic Jazz Aesthetic: Per(form)ance and Its Discontents [PDF]

, 2021
In Karen Jürs-Munby\u27s introduction to her English translation of Hans-Thies Lehmann\u27s Postdramatic Theatre (2006), she positions a single African American theatre practitioner, Suzan-Lori Parks, within the canon of postdramatic writers in spite of ...
Wood, Johann Robert
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