Results 51 to 60 of about 1,852 (132)

Kingdom: un teatre postdramàtic polític?

452ºF, 2020
A propòsit de l’obra teatral Kingdom (2018), de l’Agrupación Señor Serrano, repassarem el conflicte que obre Hans Thies Lehmann respecte la pertinença actual del teatre polític. Primerament proposarem una definició operativa de «teatre polític», tant des
Marta Duran Arranz
doaj  

Hipertekstualnost kao oblik digitalizacije teorije / Hypertextuality as a Form of Digitalization of Theory

AM: Art + Media, 2012
The introduction of the notion of hypertextuality (as the key concept of the new media) into the fields of visual arts, film, fashion, photography, postdramatic theatre, dance and music has resulted in the formation of constructivist or soft art theory ...
Predrag Rodić
doaj   +1 more source

Performing Shakespeare in Contemporary Japan: The Yamanote Jijosha’s The Tempest

Multicultural Shakespeare, 2016
In considering the Yamanote Jijosha’s The Tempest, this paper explores the significance of performing Shakespeare in contemporary Japan. The company’s The Tempest reveals to contemporary Japanese audiences the ambiguity of Shakespeare’s text by ...
Emi Hamana
doaj   +1 more source

Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre

, 2014
A review of Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre for 'Comparative Drama' 48.
Brown, Ross
core   +1 more source

Postdramatic Spectatorship: Participate or Else

Critical Stages, 2012
Rachel Fensham
doaj   +1 more source

La drammaturgia della partecipazione nel mondo digitale

Mimesis Journal, 2017
The essay discusses the new book of Andy Lavender (Performance in the Twenty-first Century: Theatres of Engagement, Routledge, London & New York 2016) and focuses on the new perspective it opens on the contemporary theatre after the postmodernism and
Antonio Pizzo
doaj   +1 more source

Postdramatikk, postmusikk, postkritikk.

Teatervitenskapelige Studier
The article explores connections and differences between the musical work TURBA / Theories of Mass Society (2003) by composer Trond Reinholdtsen, and elements from theatre scholar Hans-Thies Lehmann's concept of postdramatic theatre.
Hild Borchgrevink
doaj   +1 more source

Actors of Becoming. Aristotle and the new mimesis’ profils

Nóema, 2013
A new critical reading of Aristotle’s Poetics help us to focus in a different way the debate about Aritotleism and anti-Aristotleism in XX century’s theatre.
Antonio Attisani
doaj   +1 more source

'Knowledge and taste go together': postdramatic theatre, Écriture féminine, and feminist politics [PDF]

, 2016
This article contributes to the emerging field of feminist approaches to postdramatic theatre. Through documenting and discussing my practice-as-research performance Rings, I suggest that there is an analogous relationship between postdramatic poetics ...
Berger, Cara; id_orcid, Berger, Cara
core   +1 more source

The Formal Import and Theoretical Metabolization of the Postdramatic in the Romanian Context [PDF]

The article examines the importation and assimilation of the concept of postdramatic theatre into the Romanian theatrical landscape. The postdramatic, which emerged primarily in Lehmann’s seminal book, was delayed in Romania due to the country’s ...
TOLOARGĂ, Ioana
core   +2 more sources