Results 31 to 40 of about 1,442 (179)

SCHILLER GOES TRANSNATIONAL: JULIE PAUCKER AND ROBERT SCHUSTER'S ‘MALALAI – DIE AFGHANISCHE JUNGFRAU VON ORLEANS’ (2017)

open access: yesGerman Life and Letters, Volume 74, Issue 4, Page 551-570, October 2021., 2021
ABSTRACT This article focuses on Julie Paucker and Robert Schuster's ‘MALALAI – Die afghanische Jungfrau von Orléans’ (2017), paying special attention to the constructions and contestations of gender and nation in this recent re‐working of Schiller's Die Jungfrau von Orleans (1801). Paucker radically re‐configures Schiller's play, whose engagement with
Cordula Böcking
wiley   +1 more source

Woman Undone by Brokentalkers: Activism with a Difference

open access: yesABEI Journal, 2023
Brokentalkers theatre company first set up in 2001 may be described as a fearless, innovative organisation which has from the outset tried to balance the inequalities prevalent in Irish society. It comprises of Feidlim Cannon and Gary Keegan who describe
Helena Young
doaj   +1 more source

Redéfinir les contours du spectacle et du vivant : technodrame en temps de pandémie. L’exemple du projet AREA (2021)

open access: yesIdeAs, 2023
In February 2021, the COVID-19 pandemic forced the Dans Ta Tête collective (DTT) to present the play AREA, performed from Quebec City, on the Zoom platform. If this installation makes us question the component of co-presence, long designated as essential
Astrid Novat
doaj   +1 more source

Deconstructing Character and Identity In Martin Crimp's Attempts on Her Life

open access: yesAl-Mağallah Al-ʿilmiyyaẗ Li Kulliyyaẗ Al-Adāb - Ǧāmiʿaẗ Asyūṭ, 2020
This research examines Martin Crimp's masterpiece Attempts on Her Life as an exemplary instance of postdramatic writing. It investigates the ways in which this play can be considered postdramatic through discussing the postdramatic values incorporated ...
Basma Ramadan
doaj   +1 more source

Negative Theatrics: Writing the Postdramatic Stage [PDF]

open access: green, 2013
"We must get rid of our superstitious valuation of text!" Antonin Artaud's disdain still echoes in an ongoing theoretical discussion: what role, if any, should writing be understood to play in theatrical performance?
Julia Jarcho
openalex   +3 more sources

Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre [PDF]

open access: yes, 2015
A review of Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre for 'New Theatre Quarterly 31.
Brown, Ross
core   +1 more source

Postdramatic Theatre and Postdramatic Performance [PDF]

open access: yes, 2022
Beginning with the concept of a postdramatic theatre as articulated by the German theorist Hans-Thies Lehmann, this essay considers the recent work of several major international directors – Ivo van Hove, Punchdrunk, Signa and others – as examples of ...
Carlson (The City University of New York – New York, United States of America), Marvin
core  

Between Drama and Postdrama

open access: yesRespectus Philologicus, 2016
The article analyses the transformations of the genre of drama in the context of the postdramatic theatre. Contrary to the affirmations of Hans-Thies Lehmann, the main theoretician of the postdramatic theatre, a text of a drama is not always only one of ...
Ina Pukelytė
doaj   +1 more source

Performance without Actors: The Theatrical Docu-Fiction

open access: yesBody, Space & Technology Journal, 2020
Performative practice is based on the presence of at least a single performer and a single spectator. The presence (Brook 1998), mainly tied into the bodies of the subjects involved, becomes a determining factor for the construction and circulation of ...
Ester Fuoco
doaj   +2 more sources

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