Results 11 to 20 of about 195 (111)

The Death of Character in Postdramatic Comedy [PDF]

Amfiteater, 2022
According to Elinor Fuchs, the main characteristic of postmodern theatre and, consequently, the main reason for the decline of the dramatic text as the most important element of classical theatre is the death of character.
Jure Gantar
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Transformative Potential and Utopian Performative: Postdramatic Hamlet in Turkey

Multicultural Shakespeare, 2022
Turkey is among those Non-Anglophone countries which have had a keen interest in Shakespeare and his plays for over two hundred years. When it comes to the staging of Shakespeare in Turkey, especially when protagonists or leading roles are considered ...
Sibel İzmir
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:Unravelling the Paradox of Love in Sarah Kane's Selected Plays A Postdramatic Perspective [PDF]

مجلة الدراسات الإنسانية والأدبية, 2023
This paper examines the paradoxical portrayal of love in the selected plays of Sarah Kane (1971-1999), a renowned British playwright known for her provocative and intense works.
أيمن الحلفاوى
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Between Drama and Postdrama

Respectus Philologicus, 2016
The article analyses the transformations of the genre of drama in the context of the postdramatic theatre. Contrary to the affirmations of Hans-Thies Lehmann, the main theoretician of the postdramatic theatre, a text of a drama is not always only one of ...
Ina Pukelytė
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Performance without Actors: The Theatrical Docu-Fiction

Body, Space & Technology Journal, 2020
Performative practice is based on the presence of at least a single performer and a single spectator. The presence (Brook 1998), mainly tied into the bodies of the subjects involved, becomes a determining factor for the construction and circulation of ...
Ester Fuoco
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«Żadnej metafizyki. Idioci!»: Teatr postdramatyczny – ateizm – polityka

Pamiętnik Teatralny, 2017
This article undertakes a reading of Tadeusz Różewicz’s open theatre, particularly The Interrupted Act and The Card Index, in accordance with the sequence defined in the subtitle: postdramatic theatre, atheism, and politics.
Marcin Kościelniak
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FROM THE ‘POSTTRAUMATIC’ TO THE ‘TRANSTESTIMONIAL’: DORON RABINOVICI'S DIE LETZTEN ZEUGEN (2013) AS A CORPOREAL TOPOGRAPHY OF DISCURSIVE AND EMOTIVE HOLOCAUST MEMORY

German Life and Letters, Volume 72, Issue 4, Page 522-540, October 2019., 2019
ABSTRACT This article explores the theatrical witness project Die letzten Zeugen (2013) by the Austrian writer Doron Rabinovici as an example of a methodological transition in Testimony Studies, one which shifts the focus from psychoanalytic engagement with the survivors’ experiences towards a collective approach to testimony at the end of the so ...
Sanna Stegmaier
wiley   +1 more source

The Self-Immolation of David Buckel: Towards a Postdramatic Activism

Critical Stages, 2021
On 14 April 2018, lawyer and environmental activist David Buckel burned himself to death in Brooklyn’s Prospect Park in what has been called the first self-immolation in the name of climate change.
Victoria Scrimer
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Beyond Drama: Postdramatic theater in upper level, performance-oriented foreign language, literature and culture courses

SCENARIO: Journal for Performative Teaching, Learning, Research, 2014
This article makes the case for expanding drama pedagogy in foreign language education to include strategies from postdramatic theater, which abandons traditional notions of plot, character, and dialogue and prioritizes theatrical performances over ...
Koerner, Morgan
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Fragmented Realities, Challenged Meanings: A Reading of Jon Fosse’s Dream of Autumn as a Postdramatic Play

Theatre Academy
The approach to theatre-making observed an aesthetic and philosophical shift in the late 20th century. Hans-Thies Lehmann, in his book Postdramatic Theatre (1999), states that unlike the drama of modern times, the postdramatic theatre centres on a human ...
Shuchi Sharma, Shubhangi Srivastava
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