Results 41 to 50 of about 1,442 (179)

FROM THE ‘POSTTRAUMATIC’ TO THE ‘TRANSTESTIMONIAL’: DORON RABINOVICI'S DIE LETZTEN ZEUGEN (2013) AS A CORPOREAL TOPOGRAPHY OF DISCURSIVE AND EMOTIVE HOLOCAUST MEMORY

German Life and Letters, Volume 72, Issue 4, Page 522-540, October 2019., 2019
ABSTRACT This article explores the theatrical witness project Die letzten Zeugen (2013) by the Austrian writer Doron Rabinovici as an example of a methodological transition in Testimony Studies, one which shifts the focus from psychoanalytic engagement with the survivors’ experiences towards a collective approach to testimony at the end of the so ...
Sanna Stegmaier
wiley   +1 more source

Collective Improvisation: The Practice and Vision of Ingemar Lindh [PDF]

, 2008
Ingemar Lindh's research on the principles of collective improvisation and performance conceived as process announce an important development in the 20th-century tradition of the actor's work.
Camilleri, Frank
core   +1 more source

The Self-Immolation of David Buckel: Towards a Postdramatic Activism

Critical Stages, 2021
On 14 April 2018, lawyer and environmental activist David Buckel burned himself to death in Brooklyn’s Prospect Park in what has been called the first self-immolation in the name of climate change.
Victoria Scrimer
doaj  

Fragmented Realities, Challenged Meanings: A Reading of Jon Fosse’s Dream of Autumn as a Postdramatic Play

Theatre Academy
The approach to theatre-making observed an aesthetic and philosophical shift in the late 20th century. Hans-Thies Lehmann, in his book Postdramatic Theatre (1999), states that unlike the drama of modern times, the postdramatic theatre centres on a human ...
Shuchi Sharma, Shubhangi Srivastava
doaj   +1 more source

THE THEATRICALITY OF THE NEW PERFORMANCE THROUGH THE VIRTUAL AUTOPSY OF THE LIVING BODY IN A POSTDRAMATIC ERA. A PERFORMANCE OF SCIENTIFIC ARGUMENTS AND TECHNOLOGY [PDF]

Jurnalul Artelor Spectacolului
The challenges posed by the potential of representability that relies on "ocular experience", which regards the visual component both material and virtual as well as the performer's body viewed as a form, are underlined by several aspects.
Alba Stanciu
doaj   +1 more source

The Togolese Concert-Party, a Theatrical Aesthetic of the 20th Century: A Heritage in Transformation [PDF]

Uirtus
This article examines the trajectory of the concert-party in Togo, a popular theatrical form originating from the ports of the Gulf of Guinea, its codes (itinerant advertising, dance, first open, participatory performance), and its transformations in the
Kangni Alemdjrodo, Kokou Agbleta
doaj   +1 more source

La drammaturgia come pratica critica all'interno dei processi creativi. Una prospettiva postdrammatica

Antropologia e Teatro
The paradigm shift in the field of contemporary performance includes the change that the process of creation or production has undergone by acquiring a practical value with the explicit need for a theoretical redefinition caused by the erosion of the ...
Jovana Malinarić
doaj   +1 more source

Unstable acts : a practitioner's case study of the poetics of postdramatic theatre and intermediality [PDF]

, 2007
This practice-led research enquiry examines the form and experience of postdramatic theatre and intermediality. Through three practice-led enquiry cycles, the performance, Unstable Acts, was created.
Fenton, David Raymond
core  

Deconstructing, refocusing and reframing the postdramatic experience [PDF]

, 2017
Deconstructing, refocusing and reframing the postdramatic experience is an investigation of connections within hierarchy roles in Postdramatic theatre, and the relationship audiences have with those structures.
Roberts, GC (15936866)
core   +1 more source

Homage to Hans-Thies Lehmann

CoSMO, 2022
Upon his recent death, this article revisits the major contributions of Dr. Hans-Thies Lehmann to contemporary debates on theatre aesthetics. Lehmann’s concept of a postdramatic theatre—that is, a theatre that has moved beyond the central importance of ...
Joseph Cermatori
doaj   +1 more source