Results 41 to 50 of about 195 (111)

La drammaturgia della partecipazione nel mondo digitale

Mimesis Journal, 2017
The essay discusses the new book of Andy Lavender (Performance in the Twenty-first Century: Theatres of Engagement, Routledge, London & New York 2016) and focuses on the new perspective it opens on the contemporary theatre after the postmodernism and
Antonio Pizzo
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Postdramatic Spectatorship: Participate or Else

Critical Stages, 2012
Rachel Fensham
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Performing Shakespeare in Contemporary Japan: The Yamanote Jijosha’s The Tempest

Multicultural Shakespeare, 2016
In considering the Yamanote Jijosha’s The Tempest, this paper explores the significance of performing Shakespeare in contemporary Japan. The company’s The Tempest reveals to contemporary Japanese audiences the ambiguity of Shakespeare’s text by ...
Emi Hamana
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Postdramatikk, postmusikk, postkritikk.

Teatervitenskapelige Studier
The article explores connections and differences between the musical work TURBA / Theories of Mass Society (2003) by composer Trond Reinholdtsen, and elements from theatre scholar Hans-Thies Lehmann's concept of postdramatic theatre.
Hild Borchgrevink
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Postdramatic Tendencies in Martin Crimp’s Fewer Emergencies

Current Perspectives in Social Sciences
Martin Crimp has been one of the most prominent playwrights on the British stage since his first appearance. Although his oeuvre consists of absurdist and postdramatic plays, he translated classic texts such as Cyrano De Bergerac, Rhinoceros, The Seagull
Çağlayan Doğan
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Actors of Becoming. Aristotle and the new mimesis’ profils

Nóema, 2013
A new critical reading of Aristotle’s Poetics help us to focus in a different way the debate about Aritotleism and anti-Aristotleism in XX century’s theatre.
Antonio Attisani
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Towards a Rhetoric of Translation for the Postdramatic Text

Poroi, 2017
For the literary translator, the question arises as to how she might approach the delicate task of migrating texts that resort largely to “a purely intensive usage of language,” while acknowledging that such texts share a mode of expression that transcends historical or critical periodization.
openaire   +2 more sources

The Epistemic and Aesthetic Delinking of Decolonial Theatre

Revista Brasileira de Estudos da Presença, 2018
The article consists in crossing decolonial studies, history and aesthetics. I highlight how the Modernity/Coloniality dualism not only creates an epistemic hegemony but also an aesthetical domination, and I show the postmodern theater unability to ...
Lîlâ Bisiaux
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Medicine, Theatre and Light in the Era of Postdramatic Theatre

Critical Stages, 2018
The concept of postdramatic theatre has raised discussions, inspired creative explorations and led to research in theatre in recent years. Through the review and reflections on two original medicine-themed site-specific performances created by the ...
Amy Chan, Natalie Cheung
doaj  

Emotional and Cognitive Responses to Theatrical Representations of Aggressive Behavior. [PDF]

Front Psychol, 2020
Berceanu AI, Matu S, Macavei BI.
europepmc   +1 more source