Results 21 to 30 of about 1,852 (132)
Performance without Actors: The Theatrical Docu-Fiction
Body, Space & Technology Journal, 2020 Performative practice is based on the presence of at least a single performer and a single spectator. The presence (Brook 1998), mainly tied into the bodies of the subjects involved, becomes a determining factor for the construction and circulation of ...
Ester Fuoco
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German Life and Letters, Volume 72, Issue 4, Page 522-540, October 2019., 2019 ABSTRACT This article explores the theatrical witness project Die letzten Zeugen (2013) by the Austrian writer Doron Rabinovici as an example of a methodological transition in Testimony Studies, one which shifts the focus from psychoanalytic engagement with the survivors’ experiences towards a collective approach to testimony at the end of the so ...
Sanna Stegmaier
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«Żadnej metafizyki. Idioci!»: Teatr postdramatyczny – ateizm – polityka
Pamiętnik Teatralny, 2017 This article undertakes a reading of Tadeusz Różewicz’s open theatre, particularly The Interrupted Act and The Card Index, in accordance with the sequence defined in the subtitle: postdramatic theatre, atheism, and politics.
Marcin Kościelniak
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Postdramatic Theatre and Postdramatic Performance
, 2022 Beginning with the concept of a postdramatic theatre as articulated by the German theorist Hans-Thies Lehmann, this essay considers the recent work of several major international directors – Ivo van Hove, Punchdrunk, Signa and others – as examples of ...
Carlson (The City University of New York – New York, United States of America), Marvin
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The Self-Immolation of David Buckel: Towards a Postdramatic Activism
Critical Stages, 2021 On 14 April 2018, lawyer and environmental activist David Buckel burned himself to death in Brooklyn’s Prospect Park in what has been called the first self-immolation in the name of climate change.
Victoria Scrimer
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Theatre AcademyThe approach to theatre-making observed an aesthetic and philosophical shift in the late 20th century. Hans-Thies Lehmann, in his book Postdramatic Theatre (1999), states that unlike the drama of modern times, the postdramatic theatre centres on a human ...
Shuchi Sharma, Shubhangi Srivastava
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SCENARIO: Journal for Performative Teaching, Learning, Research, 2014 This article makes the case for expanding drama pedagogy in foreign language education to include strategies from postdramatic theater, which abandons traditional notions of plot, character, and dialogue and prioritizes theatrical performances over ...
Koerner, Morgan
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Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre
, 2015 A review of Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre for 'New Theatre Quarterly 31.
Brown, Ross
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THE THEATRICALITY OF THE NEW PERFORMANCE THROUGH THE VIRTUAL AUTOPSY OF THE LIVING BODY IN A POSTDRAMATIC ERA. A PERFORMANCE OF SCIENTIFIC ARGUMENTS AND TECHNOLOGY [PDF]
Jurnalul Artelor SpectacoluluiThe challenges posed by the potential of representability that relies on "ocular experience", which regards the visual component both material and virtual as well as the performer's body viewed as a form, are underlined by several aspects.
Alba Stanciu
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The Togolese Concert-Party, a Theatrical Aesthetic of the 20th Century: A Heritage in Transformation [PDF]
UirtusThis article examines the trajectory of the concert-party in Togo, a popular theatrical form originating from the ports of the Gulf of Guinea, its codes (itinerant advertising, dance, first open, participatory performance), and its transformations in the
Kangni Alemdjrodo, Kokou Agbleta
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