Results 21 to 30 of about 195 (111)
Postdramatic Theatre, 12 years later
Revista Brasileira de Estudos da Presença, 2013 This text takes stock of the twelve years of emergence of the practice and term Postdramatic and some of its developments and issues in the performing arts.
Hans-Thies Lehmann
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THE THEATRICALITY OF THE NEW PERFORMANCE THROUGH THE VIRTUAL AUTOPSY OF THE LIVING BODY IN A POSTDRAMATIC ERA. A PERFORMANCE OF SCIENTIFIC ARGUMENTS AND TECHNOLOGY [PDF]
Jurnalul Artelor SpectacoluluiThe challenges posed by the potential of representability that relies on "ocular experience", which regards the visual component both material and virtual as well as the performer's body viewed as a form, are underlined by several aspects.
Alba Stanciu
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The Togolese Concert-Party, a Theatrical Aesthetic of the 20th Century: A Heritage in Transformation [PDF]
UirtusThis article examines the trajectory of the concert-party in Togo, a popular theatrical form originating from the ports of the Gulf of Guinea, its codes (itinerant advertising, dance, first open, participatory performance), and its transformations in the
Kangni Alemdjrodo, Kokou Agbleta
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Antropologia e TeatroThe paradigm shift in the field of contemporary performance includes the change that the process of creation or production has undergone by acquiring a practical value with the explicit need for a theoretical redefinition caused by the erosion of the ...
Jovana Malinarić
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Narodna umjetnost : hrvatski časopis za etnologiju i folkloristiku, 2020 This article engages with conceptual constellations which allow a contemporary postdramatic theatre production, specifically Socìetas Raffaello Sanzio’s theatrical series Tragedia Endogonidia (2002 – 2004) to be regarded as a tragedy or a series of tragedies.
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Methis: Studia Humaniora Estonica, 2010 What is the relationship of postdramatic theatre--and more specifically autobiographical performance--to societal and cultural contexts within which they have emerged? This is the question I examine in this article.
Anneli Saro
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CoSMO, 2022 Upon his recent death, this article revisits the major contributions of Dr. Hans-Thies Lehmann to contemporary debates on theatre aesthetics. Lehmann’s concept of a postdramatic theatre—that is, a theatre that has moved beyond the central importance of ...
Joseph Cermatori
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BEYOND SUFFERING: THE SEARCH FOR GRACE IN SARAH KANE’S "CRAVE" [PDF]
Езиков святThis article reconceives Sarah Kane’s Crave as a postsecular liturgical poetics organized around weak grace. Rather than treating postdramatic fragmentation as anti-form, I theorize the play’s vocative loops, interdictions, and recurrences as a ...
Ali Salami
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Notes on postdramatic theatre’s death [PDF]
Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies, 2020 For many years drama theatre has been accepted almost as a synonym for the theatre itself, but at the beginning of the 20th century scenic art became enmeshed in firmly embraced stereotypes. A number of stage directors and theatre theorists were engaged in discussion about the crisis in drama and began to develop new scenic forms. Towards the middle of
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Meno Istorija ir Kritika, 2019 Lithuanian theatre has always been known for its visual metaphors and dramaturgy of directorial images, where the language of literary text is translated into visual metaphors created on stage by a director.
Staniškytė Jurgita
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