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Design Participation As Postdramatic Theatre
In our struggle to better understand and facilitate design participation we have turned our attention to the novel genre of Postdramatic Theatre (Lehmann 2006). In particular, this paper explores the intersections between Postdramatic Theatre and Participatory Innovation (Buur & Mathews 2008).
Ryöppy, Merja +2 more
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The Postdramatic Theatre in Korea
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The position of the audience in postdramatic theatre
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2019
Abstract Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century. In addition to the often-commented-upon watershed productions, however, is a significant but overlooked history involving classical tragedy in experimental and avant-garde theatre.
Emma Cole
exaly +4 more sources
Abstract Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century. In addition to the often-commented-upon watershed productions, however, is a significant but overlooked history involving classical tragedy in experimental and avant-garde theatre.
Emma Cole
exaly +4 more sources
PAJ: A Journal of Performance and Art, 2008
Following in the tradition laid out by Michael Kirby and RoseLee Goldberg, Hans-Thies Lehmann in his Postdramatic Theatre (first published in Germany in 1999) attempts to define a critical vocabulary and landscape for what has variously been called performance, performance art, installation art, and so on. More simply, it's theatre, but a theatre which
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Following in the tradition laid out by Michael Kirby and RoseLee Goldberg, Hans-Thies Lehmann in his Postdramatic Theatre (first published in Germany in 1999) attempts to define a critical vocabulary and landscape for what has variously been called performance, performance art, installation art, and so on. More simply, it's theatre, but a theatre which
openaire +1 more source

