Results 61 to 70 of about 1,852 (132)
Deconstructing, refocusing and reframing the postdramatic experience
Deconstructing, refocusing and reframing the postdramatic experience is an investigation of connections within hierarchy roles in Postdramatic theatre, and the relationship audiences have with those structures.
Roberts, GC (15936866)
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Towards a Rhetoric of Translation for the Postdramatic Text
For the literary translator, the question arises as to how she might approach the delicate task of migrating texts that resort largely to “a purely intensive usage of language,” while acknowledging that such texts share a mode of expression that transcends historical or critical periodization.
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The Epistemic and Aesthetic Delinking of Decolonial Theatre
The article consists in crossing decolonial studies, history and aesthetics. I highlight how the Modernity/Coloniality dualism not only creates an epistemic hegemony but also an aesthetical domination, and I show the postmodern theater unability to ...
Lîlâ Bisiaux
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Emotional and Cognitive Responses to Theatrical Representations of Aggressive Behavior. [PDF]
Berceanu AI, Matu S, Macavei BI.
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Medicine, Theatre and Light in the Era of Postdramatic Theatre
The concept of postdramatic theatre has raised discussions, inspired creative explorations and led to research in theatre in recent years. Through the review and reflections on two original medicine-themed site-specific performances created by the ...
Amy Chan, Natalie Cheung
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To do without Thinking? To Think without Doing? Two old prejudices in the new postdramatic scene
In order to deal with the definitive overcoming of two theatrical prejudices still in force – the self-proclaimed rejection of producers against theoretical reflection and lack of artistic experience, which allegedly devaluate critical discourse – we ...
Beatriz Alicia Trastoy
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Postdramatic Musicality in "The Black Rider"
With the English publication of Hans-Thies Lehmann’s book "Postdramatic Theatre" in 2006, Theatre Studies has been confronted with a profound and controversial categorisation of a method of theatre which emerged in the 1970s and aimed to challenge the foundations of the dramatic form.
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The Tempest at the Sea-Marge: Not-Acting on Nantucket
This essay examines an experimental, site-specific performance of The Tempest conducted over a three-day immersive trip to Nantucket, where undergraduate students and faculty collaboratively engage in a practice of “not-acting” Shakespeare’s play ...
Scott Maisano, Matthew Brown
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Text as material? The category of ‘performativity’ in three postdramatic German theatre-texts
This essay investigates the performative possibilities of three German-language plays which may be considered 'postdramatic' (Jeff Koons by Rainald Goetz; The Making of. B Movie by Albert Ostermaier; and der mund ist aufgegangen by Ginka Steinwachs). The
David Barnett (367464)
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Postdramatic Crisis of Narration and Infocracy in Love and Information by Caryl Churchill
Caryl Churchill is Britain’s most celebrated and influential playwright of the post-war period. Her name has become an exceptional phenomenon in contemporary British theater since her first professional production of Owners (1972). Churchill’s plays have
Ahmet Gökhan Biçer
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