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Mozart by A. S. Pushkin and Prince Myshkin by F. M. Dostoevsky: Problem of Double Encoding
The problem of double encoding of the characters’ images is considered: Mozart (“Mozart and Salieri” by A. S. Pushkin) and Prince Myshkin (“The Idiot” by F. M. Dostoevsky).
S. S. Khromov +2 more
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Prince Myshkin (The Idiot): the falling sickness, The Gambler, and 'The Grand Inquisitor'. [PDF]
Fyodor Dostoevsky (1821–1881). Dostoevsky was one of the greatest writers of the 19th century, who overcame both physical and mental problems in pursuit of his art. His writing is characterised by interwoven psychological, religious, and existential themes.
Brooks J.
europepmc +6 more sources
Prince Myshkin and the comprehension problem
The first study to attempt a scholarly interpretation of the well-known fact that Dostoevsky bestowed on The Idiot’s protagonist extraordinary powers of comprehension: not only can Prince Myshkin understand other characters’ utterances, but he sees through their gestures and actions, as well as motives behind those actions.
Erik Dimitrov
semanticscholar +3 more sources
DOSTOEVSKY’S INSIGHTS: FROM PRINCE MYSHKIN TO VL. SOLOVYOV [PDF]
F. M. Dostoevsky foresaw many crises and shocks, development of various ideological diseases in people and the society. The writer’s providentialism also manifested itself in the fact that in Prince Myshkin he “prophesied” the personality of his younger contemporary Vl. Solovyov to Russia. The article analyzes affinity of the literary character and the
Aleksandr Petrovich Vlaskin +2 more
semanticscholar +3 more sources
Prince Myshkin’s Bundle: the Function of a Symbolic Detailin Dostoevsky’s Novel Тhe Idiot [PDF]
The article deals with the artistic function of the symbolic detail in F.M. Dostoevsky’s novel The Idiot. Such a meaning-forming symbolic detail, a thingthrough which reveals not only the essence of the personality of the protagonist, butalso the ...
Olga Y. Yuryeva
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The article analyzes the searches conducted by F. M. Dostoevsky and V. F. Odoevsky for a “positively excellent” hero. It compares the images of Prince Myshkin from The Idiot and the hero of the dramatic excerpt Segeliel, or Don Quixote of the XIX century.
Yulia N. Sytina
semanticscholar +3 more sources
Prince Myshkin Rewritten by Tolstoy, Chekhov and Pasternak
The article is devoted to the reinterpretations of the main character of Dostoevsky’s novel “The Idiot” in the novels of Tolstoy and Pasternak (“Resurrection” and “Doctor Zhivago”) and in Chekhov’s short novel “My Life.” At the same time, Tolstoy’s novel is considered as a kind of hybrid hypertext of Dostoevsky’s works (“The Idiot” and “Notes from the ...
Sergey Kibalnik
semanticscholar +3 more sources
Антропоцентризм художественного мира Ф. М. Достоевского, так или иначе связываемый с общим религиозно-философским вектором его исканий, занимает особое место в современных исследованиях творчества писателя. В данной статье осуществляется анализ евангельского контекста романа Достоевского «Идиот». Целью работы является описание смысло- и формообразующих
Романовна Железняк Дарья
semanticscholar +4 more sources
The image of prince Myshkin in Russian cinema
The research is dedicated to the screen adaptations of Fyodor Dostoevskys The Idiot made in Russia in different cultural and historical periods. Films produced from 1910 to 2003 are analyzed in chronological order, with the aim of showing the transformation of the image of Prince Myshkin (Prince Christ), one of the key images of Russian culture1 within
Anastasia V. Ryabokon’
semanticscholar +4 more sources
"INVERSE" PARODY IN DOSTOEVSKY'S WORKS: PRINCE K. - COLONEL ROSTANEV - PRINCE MYSHKIN
The article is devoted to the effect of an «inverse» parody based on the novels “Uncle’s Dream”, “The Village of Stepanchikovo” and “The Idiot”. The effect means that a new literary task influences caricature features of early parody characters — the ...
doaj +3 more sources

