Results 21 to 30 of about 110 (99)
The Theory of Symbolic Image in Byzantine Theology of the VI-VIIth centuries
The article is devoted to the philosophical and aesthetic analysis of the theory of symbolic image in the theological texts of Pseudo-Dionysius the Areopagite and Maximus the Confessor.
Victoria Golovey
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Educational policy of Theodosius II and the fate of Auditorium of Constantinople [PDF]
The article considers the history of the Auditorium (5th – 6th centuries), often referred to as the University of Constantinople, from the perspective of the main policies of Theodosius II.
Tatyana Aleksandrova
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A mystic principle rooted in negative theology (from Pseudo-Dionysius the Areopagite to Saint John of the Cross), the « no pensar nada » (« thinking-nothing ») was strongly defended by Franciscan preacher and spiritual guide of the « Recollection ...
Estelle Garbay-Velázquez
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The Influence of the Renaissance on Richard Hooker
Like many writers after the Renaissance, Hooker was influenced by a number of classical and Neo-Platonic texts, especially by Cicero, Seneca, Hermes Trimegistus, and Pseudo-Dionysius.
Grislis Egil
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Some Traits of Ekphrasis Interweaving with Hierotopy in Theodore Metochites’ Monastery Descriptions
The article addresses Theodore Metochites’ assessment of the phenomenon of monastery and monastic life (mostly according to Chapter 40 of his Sententious Notes) in juxtaposition with his predecessors in the ekphrastic genre, such as Michael the Rhetor ...
Dmitrii Igorevich Makarov
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One aspect of the methodology of cognition in Plato and Dionysius the Areopagite [PDF]
Petr Moiseev (Perm State Institute of Arts and Culture)shows how the concept of ascension to truth, first formulated by Plato, was later reworked and reevaluated in new cognitive context by such later thinkers, as Plutarch, Iamblichus and, finally ...
Moiseev, Petr
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This work deals with the problem of intersemiotics in Orthodox Slavonic culture in the Middle Ages. Attention here is focused on the source, essence and ontology of correspondence of the arts.
Paweł Dziadul
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No contexto da Metafísica Medieval, a «beleza» foi pensada como um conceito ambíguo: ora atribuído a Deus, ora atribuído ao Mundo. O propósito deste artigo é clarificar o sentido desta ambiguidade no âmbito da filosofia do Pseudo-Dionísio Areopagita. Se,
Filipa Afonso
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Reviews in Religion &Theology, Volume 27, Issue 4, Page 530-532, October 2020.
Paul Dominiak
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’n Herlesing van Pseudo-Dionisius se metafisika
This article, by analysing, annotating en interpreting the most recent research in all relevant departments, provides a fresh and updated overview of the Neoplatonic metaphysics of Pseudo-Dionysius (ca. 500). After providing an introduction to Dionysius’
Johann Beukes
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