Results 121 to 130 of about 227 (166)
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Quentin Tarantino and the Director as DJ

Journal of Popular Culture, 2012
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Quentin Tarantino

2010
This book places Quentin Tarantino at the heart of Hollywood, showing a director who speaks film through film, who examines the world beyond the movies in a way few have previously attempted, and at which fewer still have succeeded. Quentin Tarantino: Life at the Extremesexplores the uses of violence in the films Tarantino has written ...
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Quentin Tarantino

2012
Bursting on the scene with the controversial Reservoir Dogs (1992), Quentin Tarantino has become known for a particular brand of film violence and postmodern pastiche that has won him both accolades and censure. Studying acting and working as a video store clerk, Tarantino had long been interested in cinema and in writing screenplays.
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Intertextuality in Quentin Tarantino’s Jackie Brown

Polish Journal for American Studies, 2022
Intertextuality has frequently featured in postmodern literature and film. By mixing various genres, intertextuality enables a more flexible crossing of the film’s boundaries and allows filmmakers to experiment with artistic form. The film’s style or scenes resonate through other movies creating intertextual references.
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The Performative Representations of Masculinity in Quentin Tarantino's Cinema

2023
In this book, Justin Russell Greene examines how Quentin Tarantino uses his auteur identity to further cement the masculine tropes of Hollywood – and ultimately, society – through language, visual aesthetics, and performative representations of masculinity in his films and media appearances. Greene posits that the careful crafting of his auteur persona
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Quentin Tarantino: Sadist or Sage?

Journal of Social Philosophy, 1998
Soulevant la question de savoir quel est le message du film «Pulp fiction» de Q. Tarantino, l'A. montre qu'il nous apprend quelque chose de moral concernant la vie reelle et l'interrelation de plusieurs conceptions religieuses du monde, d'une part, et qu'il tente d'expliquer pourquoi celles-ci qui sont incapables de transcender la violence et l ...
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Inglourious Basterds (Quentin Tarantino)

2012
Quentin Tarantino’s Inglourious Basterds derives its title, French location and loose plot elements from Enzo Castellari’s Italian B-movie Inglorious Bastards (1978). The earlier film’s basic premise was pithily articulated when it was later re-edited and distributed with the title G.I.
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