Results 21 to 30 of about 1,234 (159)

Traços do ragtime no choro Segura ele de Pixinguinha: composição, performance e iconografia após a viagem a Paris em 1922 Ragtime traces in the choro Segura ele [Hold him!] by Pixinguinha: composition, performance and iconography after the trip to Paris in 1922

open access: yesPer Musi, 2011
Estudo analítico e comparativo sobre os choros Segura ele e Um a zero de Pixinguinha que, na histórica viagem do grupo de choro Oito Batutas a Paris em 1922, conviveu com músicos de jazz norte-americanos.
Nilton Antônio Moreira Júnior   +1 more
doaj   +1 more source

O percurso histórico da improvisação no ragtime e no choro The historical path of improvisation in ragtime and choro

open access: yesPer Musi, 2011
O artigo teve como objetivo investigar em que medida a improvisação e a tradição oral permitiram a consolidação do ragtime e do choro em gêneros musicais com aceitação popular na virada do século XIX.
César Albino, Sonia R. Albano de Lima
doaj   +1 more source

'Ragtime Soldiers: The Rhodesian experience in the First World War'

open access: yesScientia Militaria, 2012
Hierdie werk, wat deur 'n jong akademikus geskryf is, sal aan die verwagtings van hulle teleurstel wat 'n wetenskaplik-verantwoorde militêre- historiese publikasie verwag. Dit was nie die doel wat die outeur beoog het nie.
Jan Ploeger
doaj   +1 more source

Second-Position Syncopation in European and American Vocal Music

open access: yesEmpirical Musicology Review, 2019
I define a second-position syncopation as one involving a long note or accent on the second quarter of a half-note or quarter-note unit. I present a corpus analysis of second-position syncopation in 19th-century European and American vocal music. I argue
David Temperley
doaj   +1 more source

‘Ragged Time’ in Intra-panel Comics Rhythms

open access: yesThe Comics Grid: Journal of Comics Scholarship, 2016
A phenomenological method of comics analysis can be useful when we need to uncover the structural features of the comics experience itself. One fruitful application would be in the study of irregular intra-panel rhythms, where the temporalized divisions ...
Corry Shores
doaj   +2 more sources

Fast Drug Release Using Rotational Motion of Magnetic Gel Beads

open access: yesAdvances in Physical Chemistry, Volume 2008, Issue 1, 2008., 2008
Accelerated drug release has been achieved by means of the fast rotation of magnetic gel beads. The magnetic gel bead consists of sodium alginate crosslinked by calcium chlorides, which contains barium ferrite of ferrimagnetic particles, and ketoprofen as a drug. The bead underwent rotational motion in response to rotational magnetic fields.
Tetsu Mitsumata   +3 more
wiley   +1 more source

Space Simultaneity in Stravinsky's Music: Theoretical Issues and New Examples

open access: yesOpus, 2019
According to Straus (2014), much of Stravinsky’s music elaborates two structural fifths separated by some interval. Lerdahl (2001) suggests a kind of tonal hierarchy that can be modeled by a multidimensional space in which space distance corresponds to ...
Alexy Viegas
doaj   +1 more source

Sounds from Nowhere: Reading Around 'Raga-Jazz Style'

open access: yesLateral, 2020
When Pandit Ravi Shankar began performing for Western audiences in the 1960s, his collaborative instinct for the meeting of Hindustani music and jazz was challenged by what he described as "shrieking, shouting, smoking, masturbating, and copulating ...
Shantam Goyal
doaj   +1 more source

Dada – Rag-time – Cabaret : internationalisme artistique et écriture plurilingue chez Walter Mehring

open access: yesRecherches Germaniques, 2015
Walter Mehring (1896-1981) est l’un des artistes emblématiques du cabaret berlinois des années 1920. Sa contribution littéraire à l’art du cabaret illustre de façon exemplaire le caractère hybride de la culture weimarienne.
Dirk Weissmann
doaj   +1 more source

Signification, Objectification, and the Mimetic Uncanny in Claude Debussy’s “Golliwog’s Cakewalk”

open access: yesCurrent Musicology, 2010
On October 30, 1905, Emma Bardac gave birth to Claude Debussy’s only child, a daughter named Claude-Emma (1905-1919). Debussy was a doting father; he dedicated his 1908 piano suite entitled “Children’s Corner” to her, and named four of the six movement ...
Elizabeth de Martelly
doaj   +1 more source

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