Results 21 to 30 of about 17,894 (203)
‘Ragged Time’ in Intra-panel Comics Rhythms
The Comics Grid: Journal of Comics Scholarship, 2016 A phenomenological method of comics analysis can be useful when we need to uncover the structural features of the comics experience itself. One fruitful application would be in the study of irregular intra-panel rhythms, where the temporalized divisions ...
Corry Shores
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Fast Drug Release Using Rotational Motion of Magnetic Gel Beads
Advances in Physical Chemistry, Volume 2008, Issue 1, 2008., 2008 Accelerated drug release has been achieved by means of the fast rotation of magnetic gel beads. The magnetic gel bead consists of sodium alginate crosslinked by calcium chlorides, which contains barium ferrite of ferrimagnetic particles, and ketoprofen as a drug. The bead underwent rotational motion in response to rotational magnetic fields.
Tetsu Mitsumata +3 more
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Space Simultaneity in Stravinsky's Music: Theoretical Issues and New Examples
Opus, 2019 According to Straus (2014), much of Stravinsky’s music elaborates two structural fifths separated by some interval. Lerdahl (2001) suggests a kind of tonal hierarchy that can be modeled by a multidimensional space in which space distance corresponds to ...
Alexy Viegas
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Sounds from Nowhere: Reading Around 'Raga-Jazz Style'
Lateral, 2020 When Pandit Ravi Shankar began performing for Western audiences in the 1960s, his collaborative instinct for the meeting of Hindustani music and jazz was challenged by what he described as "shrieking, shouting, smoking, masturbating, and copulating ...
Shantam Goyal
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Dada – Rag-time – Cabaret : internationalisme artistique et écriture plurilingue chez Walter Mehring
Recherches Germaniques, 2015 Walter Mehring (1896-1981) est l’un des artistes emblématiques du cabaret berlinois des années 1920. Sa contribution littéraire à l’art du cabaret illustre de façon exemplaire le caractère hybride de la culture weimarienne.
Dirk Weissmann
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Spartan Daily, November 2, 1939 [PDF]
, 1939 Volume 28, Issue 31https://scholarworks.sjsu.edu/spartandaily/2977/thumbnail ...
San Jose State University, School of Journalism and Mass Communications
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Signification, Objectification, and the Mimetic Uncanny in Claude Debussy’s “Golliwog’s Cakewalk”
Current Musicology, 2010 On October 30, 1905, Emma Bardac gave birth to Claude Debussy’s only child, a daughter named Claude-Emma (1905-1919). Debussy was a doting father; he dedicated his 1908 piano suite entitled “Children’s Corner” to her, and named four of the six movement ...
Elizabeth de Martelly
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From the mountains to the prairies and beyond the pale : American yodeling on early recordings [PDF]
, 2013 This sound review surveys yodeling in North American popular music, beginning with some of the earliest recordings on which it is featured. In order to better contextualize the recordings, I will also mention a few examples of sheet music with yodeling ...
Wise, T
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Gender &History, Volume 37, Issue 2, Page 606-620, July 2025.Abstract As a historian of sex work, I analyse the power dynamics in the archiving practices and interpretation of sex worker lives, deconstructing the historic and current discourses shaping the possibilities for sex workers. In this article, I explore the legends of nineteenth‐century Madams Annie Cook and Annie Chambers.
Ashley Barnes‐Gilbert
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Outside Forces: “Autumn Leaves” in the 1960s
Current Musicology, 2001 Is there a problem of form in the jazz tradition? Does the reliance upon repeated 32-bar frameworks create an unavoidable formal, harmonic, and metric redundancy? How do jazz improvisers transcend or evade this cyclic regularity?
Keith Waters
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