Results 31 to 40 of about 17,355 (175)
From the mountains to the prairies and beyond the pale : American yodeling on early recordings [PDF]
This sound review surveys yodeling in North American popular music, beginning with some of the earliest recordings on which it is featured. In order to better contextualize the recordings, I will also mention a few examples of sheet music with yodeling ...
Wise, T
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Outside Forces: “Autumn Leaves” in the 1960s
Is there a problem of form in the jazz tradition? Does the reliance upon repeated 32-bar frameworks create an unavoidable formal, harmonic, and metric redundancy? How do jazz improvisers transcend or evade this cyclic regularity?
Keith Waters
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Times Arrow, February 26, 2014 [PDF]
This is the concert program of the Times Arrow performance on Wednesday, February 26, 2014 at 8:30 p.m., at Room 167, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Form 2 (In memory of John Cage) by James Tenney, Four Bagatelles by
School of Music, Boston University
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Boston University Percussion Ensemble, March 26, 2009 [PDF]
This is the concert program of the Boston University Percussion Ensemble performance on Thursday, March 26, 2009 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Conservatory Garden
School of Music, Boston University
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Abstract In this paper Johan Dahlbeck sets out to propose a pedagogy of “as if,” seeking to address the educational paradox of how students can be influenced to approximate a life guided by reason without assuming that they are already sufficiently rational to adhere to dictates of practical reason.
Johan Dahlbeck
wiley +1 more source
America’s War with Spain inspired Tin Pan Alley music publishers to generate popular songs to accompany America’s military victories and subsequent occupation of Cuba, Puerto Rico, Hawaii, and the Philippines.
Robert W. Rydell
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In 1955, Elvis Presley and Ray Charles each stormed the pop charts with songs employing the same propulsive rhythm. Both would soon be hailed as rock 'n' roll stars, but today the two songs would likely be described as quintessential examples, respectively, of rockabilly and soul.
openaire +1 more source
Faculty Recital: Jules Eskin, cello, Virginia Eskin, piano, Ethan Sloane, Clarinet [PDF]
This is the concert program of the Faculty Recital: Jules Eskin, cello, Virginia Eskin, piano, Ethan Sloane, Clarinet performance on Monday, March 18, 2002 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
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Boston University Wind Ensemble, April 22, 1983 [PDF]
This is the concert program of Boston University Wind Ensemble performance on Friday, April 22, 1983 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
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MHD simulations of oscillating cusp-filling tori around neutron stars -- missing upper kHz QPO
We performed axisymmetric, grid-based, ideal magnetohydrodynamic (MHD) simulations of oscillating cusp-filling tori orbiting a non-rotating neutron star. A pseudo-Newtonian potential was used to construct the constant angular momentum tori in equilibrium.
Cemeljic, Miljenko +2 more
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