Results 21 to 30 of about 17,355 (175)

Fast Drug Release Using Rotational Motion of Magnetic Gel Beads

open access: yesAdvances in Physical Chemistry, Volume 2008, Issue 1, 2008., 2008
Accelerated drug release has been achieved by means of the fast rotation of magnetic gel beads. The magnetic gel bead consists of sodium alginate crosslinked by calcium chlorides, which contains barium ferrite of ferrimagnetic particles, and ketoprofen as a drug. The bead underwent rotational motion in response to rotational magnetic fields.
Tetsu Mitsumata   +3 more
wiley   +1 more source

Space Simultaneity in Stravinsky's Music: Theoretical Issues and New Examples

open access: yesOpus, 2019
According to Straus (2014), much of Stravinsky’s music elaborates two structural fifths separated by some interval. Lerdahl (2001) suggests a kind of tonal hierarchy that can be modeled by a multidimensional space in which space distance corresponds to ...
Alexy Viegas
doaj   +1 more source

Dada – Rag-time – Cabaret : internationalisme artistique et écriture plurilingue chez Walter Mehring

open access: yesRecherches Germaniques, 2015
Walter Mehring (1896-1981) est l’un des artistes emblématiques du cabaret berlinois des années 1920. Sa contribution littéraire à l’art du cabaret illustre de façon exemplaire le caractère hybride de la culture weimarienne.
Dirk Weissmann
doaj   +1 more source

Sounds from Nowhere: Reading Around 'Raga-Jazz Style'

open access: yesLateral, 2020
When Pandit Ravi Shankar began performing for Western audiences in the 1960s, his collaborative instinct for the meeting of Hindustani music and jazz was challenged by what he described as "shrieking, shouting, smoking, masturbating, and copulating ...
Shantam Goyal
doaj   +1 more source

Maître ou esclave ? Jazz, ragtime et cake walk en Allemagne avant et après la Première Guerre mondiale

open access: yesAmnis, 2013
In 1919, jazz music comes to Germany. This is the beginning of fierce debates over this unheard-of music. Some fear a two-fold dehumanization, linked to the rise of Negro culture and to a kind of modernism gone wild.
Pascale Cohen-Avenel
doaj   +1 more source

Signification, Objectification, and the Mimetic Uncanny in Claude Debussy’s “Golliwog’s Cakewalk”

open access: yesCurrent Musicology, 2010
On October 30, 1905, Emma Bardac gave birth to Claude Debussy’s only child, a daughter named Claude-Emma (1905-1919). Debussy was a doting father; he dedicated his 1908 piano suite entitled “Children’s Corner” to her, and named four of the six movement ...
Elizabeth de Martelly
doaj   +1 more source

Music Generation by Deep Learning - Challenges and Directions

open access: yes, 2017
In addition to traditional tasks such as prediction, classification and translation, deep learning is receiving growing attention as an approach for music generation, as witnessed by recent research groups such as Magenta at Google and CTRL (Creator ...
Briot, Jean-Pierre, Pachet, François
core   +1 more source

Spartan Daily, March 30, 1973 [PDF]

open access: yes, 1973
Volume 60, Issue 96https://scholarworks.sjsu.edu/spartandaily/5730/thumbnail ...
San Jose State University, School of Journalism and Mass Communications
core   +1 more source

“Havana Reads the Harlem Renaissance: Langston Hughes, Nicolás Guillén, and the Dialectics of Transnational American Literature” [PDF]

open access: yes, 2010
This essay reconsiders a famous episode of anti-imperial modernism, Langston Hughes’ collaboration with the Afro-Cuban poet Nicolás Guillén. While the episode is often remembered in American literary history as an instance of the more famous Hughes ...
John Patrick Leary
core   +1 more source

A Tale of Two Annies: Historical Memory, Archives and the Perpetuation of the Sinners to Angels Trope in American Sex Worker History

open access: yesGender &History, Volume 37, Issue 2, Page 606-620, July 2025.
Abstract As a historian of sex work, I analyse the power dynamics in the archiving practices and interpretation of sex worker lives, deconstructing the historic and current discourses shaping the possibilities for sex workers. In this article, I explore the legends of nineteenth‐century Madams Annie Cook and Annie Chambers.
Ashley Barnes‐Gilbert
wiley   +1 more source

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