Results 21 to 30 of about 168 (130)

Dada – Rag-time – Cabaret : internationalisme artistique et écriture plurilingue chez Walter Mehring

Recherches Germaniques, 2015
Walter Mehring (1896-1981) est l’un des artistes emblématiques du cabaret berlinois des années 1920. Sa contribution littéraire à l’art du cabaret illustre de façon exemplaire le caractère hybride de la culture weimarienne.
Dirk Weissmann
doaj   +1 more source

Sounds from Nowhere: Reading Around 'Raga-Jazz Style'

Lateral, 2020
When Pandit Ravi Shankar began performing for Western audiences in the 1960s, his collaborative instinct for the meeting of Hindustani music and jazz was challenged by what he described as "shrieking, shouting, smoking, masturbating, and copulating ...
Shantam Goyal
doaj   +1 more source

Signification, Objectification, and the Mimetic Uncanny in Claude Debussy’s “Golliwog’s Cakewalk”

Current Musicology, 2010
On October 30, 1905, Emma Bardac gave birth to Claude Debussy’s only child, a daughter named Claude-Emma (1905-1919). Debussy was a doting father; he dedicated his 1908 piano suite entitled “Children’s Corner” to her, and named four of the six movement ...
Elizabeth de Martelly
doaj   +1 more source

A Tale of Two Annies: Historical Memory, Archives and the Perpetuation of the Sinners to Angels Trope in American Sex Worker History

Gender &History, Volume 37, Issue 2, Page 606-620, July 2025.
Abstract As a historian of sex work, I analyse the power dynamics in the archiving practices and interpretation of sex worker lives, deconstructing the historic and current discourses shaping the possibilities for sex workers. In this article, I explore the legends of nineteenth‐century Madams Annie Cook and Annie Chambers.
Ashley Barnes‐Gilbert
wiley   +1 more source

Outside Forces: “Autumn Leaves” in the 1960s

Current Musicology, 2001
Is there a problem of form in the jazz tradition? Does the reliance upon repeated 32-bar frameworks create an unavoidable formal, harmonic, and metric redundancy? How do jazz improvisers transcend or evade this cyclic regularity?
Keith Waters
doaj   +1 more source

The Pedagogy of “As If”

Educational Theory, Volume 74, Issue 2, Page 145-164, April 2024.
Abstract In this paper Johan Dahlbeck sets out to propose a pedagogy of “as if,” seeking to address the educational paradox of how students can be influenced to approximate a life guided by reason without assuming that they are already sufficiently rational to adhere to dictates of practical reason.
Johan Dahlbeck
wiley   +1 more source

Soundtracks of Empire: “The White Man’s Burden,” the War in the Philippines, the“Ideals of America,” and Tin Pan Alley

European Journal of American Studies, 2012
America’s War with Spain inspired Tin Pan Alley music publishers to generate popular songs to accompany America’s military victories and subsequent occupation of Cuba, Puerto Rico, Hawaii, and the Philippines.
Robert W. Rydell
doaj   +1 more source

Phonic Musicality as a Means of Recoding in E. L. Doctorow’s Ragtime

American and British Studies Annual, 2016
The article examines art interactions, one of the most topical problems in literary criticism, in the form of literary-musical intermedial aspects in E. L. Doctorow’s Ragtime.
Lidia Bilonozhko
doaj  

Review of Alyn Shipton. 2001. A New History of Jazz. London and New York: Continuum

Current Musicology, 2001
The arrival of a book that purports to be a “new” history of jazz signals an event of no small consequence among the dedicated community of jazz scholars.
Frank Tirro
doaj   +1 more source

Sondheim and Weidman’s unintended trilogy

Critical Quarterly, Volume 66, Issue 4, Page 79-99, December 2024.
Kasia Boddy
wiley   +1 more source