Results 31 to 40 of about 1,234 (159)
Amnis, 2013 In 1919, jazz music comes to Germany. This is the beginning of fierce debates over this unheard-of music. Some fear a two-fold dehumanization, linked to the rise of Negro culture and to a kind of modernism gone wild.
Pascale Cohen-Avenel
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SclerosisCognitive reserve (CR) seems to be an ability to adapt cognitive processes in response to brain disease and may influence rehabilitation outcomes. This is a secondary analysis of the “Robot-Assisted Gait Training versus conventional therapy on mobility ...
Ambra Balzeri +7 more
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Gender &History, Volume 37, Issue 2, Page 606-620, July 2025.Abstract As a historian of sex work, I analyse the power dynamics in the archiving practices and interpretation of sex worker lives, deconstructing the historic and current discourses shaping the possibilities for sex workers. In this article, I explore the legends of nineteenth‐century Madams Annie Cook and Annie Chambers.
Ashley Barnes‐Gilbert
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Outside Forces: “Autumn Leaves” in the 1960s
Current Musicology, 2001 Is there a problem of form in the jazz tradition? Does the reliance upon repeated 32-bar frameworks create an unavoidable formal, harmonic, and metric redundancy? How do jazz improvisers transcend or evade this cyclic regularity?
Keith Waters
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European Journal of American Studies, 2012 America’s War with Spain inspired Tin Pan Alley music publishers to generate popular songs to accompany America’s military victories and subsequent occupation of Cuba, Puerto Rico, Hawaii, and the Philippines.
Robert W. Rydell
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Educational Theory, Volume 74, Issue 2, Page 145-164, April 2024.Abstract In this paper Johan Dahlbeck sets out to propose a pedagogy of “as if,” seeking to address the educational paradox of how students can be influenced to approximate a life guided by reason without assuming that they are already sufficiently rational to adhere to dictates of practical reason.
Johan Dahlbeck
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Phonic Musicality as a Means of Recoding in E. L. Doctorow’s Ragtime
American and British Studies Annual, 2016 The article examines art interactions, one of the most topical problems in literary criticism, in the form of literary-musical intermedial aspects in E. L. Doctorow’s Ragtime.
Lidia Bilonozhko
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Review of Alyn Shipton. 2001. A New History of Jazz. London and New York: Continuum
Current Musicology, 2001 The arrival of a book that purports to be a “new” history of jazz signals an event of no small consequence among the dedicated community of jazz scholars.
Frank Tirro
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Scott Joplin, Ragtime, and Baseball in Sedalia, Missouri in 1900
, 2020 Scott Joplin first achieved recognition as a composer with the publication of his Maple Leaf Rag in Sedalia, Missouri in 1899. A few months later, a Sedalia newspaper reported that Joplin and fellow musician Henry Jackson organized the Shortridge-Robb ...
M. Eberle
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Sondheim and Weidman’s unintended trilogy
Critical Quarterly, Volume 66, Issue 4, Page 79-99, December 2024.
Kasia Boddy
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