Results 51 to 60 of about 64,096 (180)
Matteo Ricci's Depictions of Alexander the Great in Late Ming China☆
Abstract This article primarily focuses on the origin, the earliest dissemination and the accommodation of European Alexander texts in imperial China by Italian Jesuit Matteo Ricci (1552–1610). After providing an overview of the Chinese Alexander traditions, it first examines the sources of inspiration for Ricci's choice of Alexander as the prominent ...
Yaliang Fu
wiley +1 more source
Carl Cassegård och Håkan Thörn. I apokalypsens skugga
Christian Ståhl
doaj +1 more source
Recension
Roxane Gagnon
doaj +1 more source
Resurrection of Adam\u27s Body: The Redeeming Role of Enoch-Metatron in \u3cem\u3e2 (Slavonic) Enoch\u3c/em\u3e [PDF]
The study investigates the ritual of anointing with the oil of the resurrection found in 2 Enoch. 2 Enoch 22:9 portrays the archangel Michael anointing Enoch with delightful oil, the ointment of glory which transforms the patriarch into a celestial ...
Orlov, Andrei
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The consul vanishes? On using and not using Gregory the Great's Register in early medieval England
This article builds upon recent scholarship emphasizing the importance of Gregory the Great's Register as a key text of the Carolingian and post‐Carolingian library, exploring by contrast its peculiarly limited reception in England. It first surveys what little evidence we have for its citation by English ecclesiastics (post‐c.1000, mostly via Wulfstan)
Benjamin Savill
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Recension
Roxane Gagnon
doaj +1 more source
A collection of no authority: canon law and the Collectio 91 capitulorum
Normative texts need to be authoritative to be effective in communicating norms and rules. Recent scholarship has shown a renewed interest in the authoritative status of the texts within early medieval works of canon law and the ways in which authority is reflected in the practice of attribution, promulgation, or organization.
Sven Meeder
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Recension
Christine Guinand
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Tilman, Francis (2004). Penser le projet. Concepts et outils d’une pédagogie émancipatrice.
Recension
Olivier Maulini
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