Results 21 to 30 of about 198 (117)
Za obrazem: teorie obrazu Romana Ingardena a význam abstraktního umění
Filosofický časopis, 2023 The study interprets the meaning of abstract art, taking into consideration the phenomenological investigations of the Polish philosopher Roman Ingarden. In 1958, Ingarden drew attention to a specific method of the constitution of a non-representational,
Murár, Tomáš
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Ontological Aspects of the Literary Work of Art in Roman Ingarden and Nicolai Hartmann [PDF]
PhainomenaThe aesthetics of Roman Ingarden and Nicolai Hartmann are phenomenological in the Husserlian sense of the term. Although both Ingarden as well as Hartmann owe their ideas to Husserl, each of them worked independently of the other and provided different ...
Sazan Kryeziu
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Dynamic types of artistic image: Roman Ingarden’s phenomenology and literary theory
RUDN Journal of Studies in Literature and Journalism, 2020 The article is devoted to the question of some data obtained by Polish philosopher Roman Ingarden, and primarily to his study of the literary work of art. Development upon Ingardens ideas is associated with use of Russian authors which are rarely treated
Anastasia A. Aksenova
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Pojetí významu u Ingardena a Mukařovského: Vliv, inspirace, či autonomní cesty? | The Concept of Meaning as Coined by Roman Ingarden and Jan Mukařovský: Influence, Inspiration, or Autonomous Paths? [PDF]
Slovo a Smysl, 2019 Concepts associated with the Structuralism of the Prague School are usually considered to respond to trends in continental philology, philosophy, and aesthetics of the 1920s and 1930s.
Petr A. Bílek
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Sobre as formações sonoras da obra musical em Roman Ingarden
Artefilosofia, 2022 O texto tem como objetivo principal explicar o conceito de formação sonora em Roman Ingarden destacando o seu status enquanto objeto puramente intencional e o seu caráter gestáltico.
Glaucio Adriano Zangheri
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Ontologia e obra literária: a resposta realista de Ingarden a Husserl
Griot, 2016 O idealismo transcendental anunciado por Husserl como idêntico à própria fenomenologia nunca deixou de ser um dos pontos mais polêmicos de sua filosofia. A esse respeito, um dos primeiros críticos da posição filosófica esposada publicamente por Husserl a
Allan J. Vieira
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Zofia Lissa vs Roman Ingarden. Sprawa tożsamości dzieła muzycznego
Acta Universitatis Lodziensis: Folia Philosophica, 2020 Artykuł stanowi krytyczną rekonstrukcję polemiki muzykolożki Zofii Lissy z filozofem Romanem Ingardenem z 1966 roku dotyczącą ontologii dzieła muzycznego.
Karolina Kolinek-Siechowicz +1 more
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Life and repetition in Husserl's analyses from the first half of the 1920s
Theoria, Volume 91, Issue 1, Page 60-76, February 2025.Abstract In his later writings, Husserl posits the original life of transcendental consciousness as the ultimate subject of phenomenological inquiry. Through self‐criticism in his work, Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy, Husserl realises that the transcendence of representation remains unnoticed after the ...
David Rybák
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The Southern Journal of Philosophy, Volume 62, Issue 3, Page 374-390, September 2024.Abstract The present study pursues three objectives. First, to expose and discuss the contributions of the philosopher José Ortega y Gasset to the phenomenological study of gestures and emotive gesture. Secondly, to critically review one of the central theses defended by Ortega, according to which “every expressive phenomenon”—including, therefore, the
Noé Expósito Ropero +1 more
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O prawdzie w literaturze uwag kilka
Studia Philosophiae Christianae, 2020 This article deals with the issue of truth in literature by considering Roman Ingarden’s account. He denies that literary work as a work of art can be true in a logical sense. As a purely intentional object, a literary work of art decides nothing about a
Wiesława Tomaszewska
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