Roman Ingarden on Ontology of Fictional Objects [PDF]
Journal of Philosophical Investigations, 2019 Fictional objects like “Hamlet” or “Rostam” pose many problems for Logicians and thinkers theorizing about perception. The problem lies in the fact that, on the one hand, we think and speak about these objects and, on the other hand, we can’t find them ...
Vahid Gholamipour fard
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Roman Ingarden’s Ontology of Music and Literary Work of Art [PDF]
حکمت و فلسفه, 2016 Roman Ingarden (1893-1970) is considered as the founder of ontology of art. Having been influenced by Husserl phenomenological doctrines, Ingarden argues that work of art and aesthetic object are ontologically two different entities.
Mohammad reza Abolghassemi
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Za obrazem: teorie obrazu Romana Ingardena a význam abstraktního umění
Filosofický časopis, 2023 The study interprets the meaning of abstract art, taking into consideration the phenomenological investigations of the Polish philosopher Roman Ingarden. In 1958, Ingarden drew attention to a specific method of the constitution of a non-representational,
Murár, Tomáš
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QASIDAH “I’TIZAR” KARYA NABIGAH ZUBYANI (ANALISIS STRATA NORMA ROMAN INGARDEN) [PDF]
, 2023 Skripsi ini berjudul Qaṣidah “I’tiżar” Karya Nabigah Żubyani (Analisis Strata Norma Roman Ingarden). Dari sisi objek material, pemilihan jenis qaṣidah I’tiżar ini berdasarkan pada karakteristik puisi jahiliyah yang masih terikat dengan aturan puisi ...
Lu’lu’atul Marwah, NIM.: 19101010066
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Controversy over the Existence of the World [PDF]
, 2013 Roman Ingarden (1893-1970), one of Husserl’s closest students and friends, ranks among the most eminent of the first generation of phenomenologists. His magisterial Controversy over the Existence of the World, written during the years of World War II in ...
Ingarden, Roman
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Dynamic types of artistic image: Roman Ingarden’s phenomenology and literary theory
RUDN Journal of Studies in Literature and Journalism, 2020 The article is devoted to the question of some data obtained by Polish philosopher Roman Ingarden, and primarily to his study of the literary work of art. Development upon Ingardens ideas is associated with use of Russian authors which are rarely treated
Anastasia A. Aksenova
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Pojetí významu u Ingardena a Mukařovského: Vliv, inspirace, či autonomní cesty? | The Concept of Meaning as Coined by Roman Ingarden and Jan Mukařovský: Influence, Inspiration, or Autonomous Paths? [PDF]
Slovo a Smysl, 2019 Concepts associated with the Structuralism of the Prague School are usually considered to respond to trends in continental philology, philosophy, and aesthetics of the 1920s and 1930s.
Petr A. Bílek
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Ontological Aspects of the Literary Work of Art in Roman Ingarden and Nicolai Hartmann [PDF]
PhainomenaThe aesthetics of Roman Ingarden and Nicolai Hartmann are phenomenological in the Husserlian sense of the term. Although both Ingarden as well as Hartmann owe their ideas to Husserl, each of them worked independently of the other and provided different ...
Sazan Kryeziu
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Zofia Lissa vs Roman Ingarden. Sprawa tożsamości dzieła muzycznego
Acta Universitatis Lodziensis: Folia Philosophica, 2020 Artykuł stanowi krytyczną rekonstrukcję polemiki muzykolożki Zofii Lissy z filozofem Romanem Ingardenem z 1966 roku dotyczącą ontologii dzieła muzycznego.
Karolina Kolinek-Siechowicz +1 more
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Roman Ingarden : życie i dzieło w subiektywnym ujęciu
, 2020 Artykuł prezentuje sylwetkę Romana Witolda Ingardena jako Mistrza - Nauczyciela kolejnych pokoleń młodych polskich badaczy i badaczek. Autorki artykułu korzystają z opracowywanej w ramach "Cyfrowego Archiwum Romana Ingardena" korespondencji i materiałów ...
Dominika Czakon +3 more
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