Results 31 to 40 of about 8,459 (195)

Notes on the end of 'Rome Open City' [PDF]

open access: yes, 2018
Among the most iconic images in world cinema, the final shot of Roberto Rossellini’s Rome Open City has inspired an effusion of critical commentary that bespeaks not only its cinematic significance but also its historical resonance.
Leavitt, Charles
core   +2 more sources

Womanliness as animal masquerade

open access: yesNECSUS, 2017
This essay examines the intersection of femininity as masquerade and the status of the animal through an investigation of two examples: the film DONKEY SKIN by Jacques Demy and the web series GREEN PORNO by Isabella Rossellini.
Isabelle Freda
doaj   +1 more source

La fucilazione di don Giuseppe Morosini: cronaca, storia, finzione

open access: yesSchermi, 2020
The article presents a mapping of the countless different discourses concerning don Giuseppe Morosini’s death, which is represented in the final shot of "Roma città aperta" (“Rome, Open City”) (Rossellini, 1945).
Benedetta Pini
doaj   +1 more source

Amorous Anthropomorphism, Marine Conservation and the Wonder of Wildlife Film in Isabella Rossellini’s Green Porno

open access: yes, 2020
Green Porno is a series of short films in which Isabella Rossellini explores the reproductive lives of creatures whose physiology and habitats are vastly different from humans.
S. Wade
semanticscholar   +1 more source

Filmowe wizerunki Joanny d’Arc. Ilustracja etapów rozwoju światowej kinematografii

open access: yesKwartalnik Filmowy, 2001
Płażewski omawia sposoby portretowania Joanny d’Arc w 18 filmach powstałych w XX w. Poszczególne filmy analizowane są w szerszym kontekście kolejnych faz rozwoju kinematografii.
Jerzy Płażewski
doaj   +1 more source

Ruines, décombres, chantiers, archives : l’évolution d’une figure dans le cinéma en Allemagne (1946-1993) [PDF]

open access: yes, 2007
Dans le présent article, l’auteur se penche sur le rôle qu’occupent les « ruines » en tant que figure privilégiée de la médiation cinématographique de la mémoire de l’après-guerre en Allemagne, de Die Mörder sind unter uns (Wolfgang Staudte, 1946) et d ...
Habib, André
core   +1 more source

Le paysage de l’expérience [PDF]

open access: yes, 2001
Dans une tradition qui va de Rossellini à Antonioni et Pasolini, le cinéma d'Amelio bouleverse l'espace-temps moderne pour réécrire l'histoire en tant qu'histoire des gens ordinaires.
Mariniello, Silvestra
core   +1 more source

Filming Concepts, Thinking Images: On Wonder, Montage and Disruption in an Image-Saturated World

open access: yesEidos. A Journal for Philosophy of Culture, 2022
This article explores the relation between cinema and philosophy through the lens of interest shown by some filmmakers in the lives and works of philosophers.
Vania Baldi, Nélio Conceição
doaj   +1 more source

Les Estratègies enunciatives d'un documental didàctic, el cas d'India de Roberto Rossellini [PDF]

open access: yes, 2001
En el documental Índia, el gran cineasta italià Roberto Rossellini va proposar una visió de la narrativa cinematogràfica basada en la recerca de la transparència, en la qual les imatges tenien com a funció la transmissió d'idees.
Quintana, Àngel
core   +1 more source

A Hydrological–Energy Balance Model to Assess Land Surface Temperature at the Urban Scale: The Case Study of Milano, Italy

open access: yesMeteorological Applications, Volume 32, Issue 3, May/June 2025.
This study uses a water–energy balance model together with satellite and ground meteorological data to evaluate Surface Urban Heat Island, and the effects of urban greening in Milano, Italy. Running the model on a 500by500 m grid, we demonstrate that a 10 % increase in green cover reduces mean Land Surface Temperature by 0.26 °C, so foreseeing large ...
Sonia Morgese   +3 more
wiley   +1 more source

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