Results 51 to 60 of about 8,459 (195)

La construcción visual y sonora de la imagen de San Francisco de Asís en el cine de mediados del siglo XX: entre Roma y Hollywood

open access: yesMillars. Espai i Història
Se aborda la construcción de la imagen de San Francisco de Asís en el cine, a través del análisis comparativo de dos películas sobre el santo medieval: Francisco, juglar de Dios (Roberto Rossellini, 1950) y Francisco de Asís (Michael Curtiz, 1961 ...
Ángel Justo Estebaranz   +1 more
doaj   +1 more source

Entre el collage y el bricolaje. Una cierta mirada hacia el desprecio de Godard en Los Abrazos Rotos de Almodóvar [PDF]

open access: yes, 2012
En Los abrazos rotos, Almodóvar construye un relato a partir de otros relatos. Lo hará de dos formas. Por una parte muestra -lo que denominamos collage- un conjunto de obras pictóricas y cinematográficas principalmente. Por otra construye unas relaciones
Gómez-Gómez, Agustín
core   +4 more sources

Histological characterization of Sticholecitha serpentis Prudhoe, 1949 (digenea, bieriidae, sticholecithinae), parasite of Bothrops moojeni Hoge, 1966 (serpentes, viperidae)

open access: yesJournal of Venomous Animals and Toxins including Tropical Diseases, 2005
The aim of this study was to evaluate the morphology of the species Sticholecitha serpentis Prudhoe, 1949 by means of histological procedures. Helminths were previously fixed in Railliet & Henry solution, uncompressed and were included in 2-hydroxyethyl ...
TB. Silva   +3 more
doaj   +1 more source

Il cinema «idea» di Eduardo [PDF]

open access: yes, 2006
Eduardo nel cinema è stato attore, sceneggiatore, regista. Il saggio di Frezza ricostruisce la sua poliedrica attività cinematografica dagli anni trenta agli anni sessanta, anche in relazione/ opposizione con l'opera e la statura filmica del fratello ...
Frezza, Gino
core   +3 more sources

L’admirable tremblement du temps du style tardif ou terminer sans en finir… avec Braque, Britten et Rossellini

open access: yes, 2018
Contrairement à l’idée naïve qui voudrait que les œuvres tardives d’un artiste ne soient que la trace d’une ultime maîtrise, ces œuvres de la dernière période sont souvent porteuses de contradictions non résolues par la relation intransigeante que ...
J. André
semanticscholar   +1 more source

De la question formelle à la question du sens ?

open access: yesMise au Point, 2009
In a recent text, Edgar Morin reminded us that in preceding centuries those who were “cultured” read the great literary texts, not only for their ornamental value (as Rossellini would have said) but for the inspiration that they brought to one’s own life
Daniel Serceau
doaj   +1 more source

Reading the geographies of post-war British film culture through the reception of French film [PDF]

open access: yes, 2013
This paper examines the ways in which British specialist film culture anticipated and received the resumed supply of French films at the end of the Second World War.
Acland Charles   +16 more
core   +1 more source

Yi, Observational Documentary Aesthetics, and the Identity Politics of Transcultural Migrancy [PDF]

open access: yes, 2017
There is a moment in Edward Yang’s acclaimed film Yi Yi (2000) in which a young boy in a conversation with his father observes that he cannot see what his father sees and that his father cannot see what he sees, prompting two questions: “How can I know ...
Xu, Jiacheng, 4159187
core   +1 more source

Roberto Rossellini, la Trilogie de la guerre; Mario Soldati, Malombra; Mario Soldati, Piccolo mondo antico

open access: yes, 2017
La nave bianca (le Navire blanc, 1941), Un pilota ritorna (Un pilote revient, 1942), L’uomo dalla croce (l’Homme a la croix, 1942). Les trois films fascistes de Rossellini qu’il n’est si aise de voir tant ils « detonent » par rapport a l’image convenue d’
François Albera
semanticscholar   +1 more source

Salvo D'Angelo produttore europeo

open access: yesSchermi, 2018
Produttore dimenticato o spesso accusato di essere un avventuriero ambizioso e megalomane, Salvo D’Angelo fu piuttosto un imprenditore audace. In soli cinque anni (1947-1952) produsse una serie di capolavori come La terra trema, un film epico come ...
Barbara Corsi
doaj   +1 more source

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