Results 21 to 30 of about 37,797 (222)

Creating an Art Tourist Space in the Urban Sphere of Lodz – a Theoretical Approach Based on the Example of the Urban Forms Gallery of Murals [PDF]

open access: yes, 2016
The Urban Forms Gallery of murals in Lodz, Poland, is a “live gallery” of more than 30 large-format paintings made directly on the façades of the buildings. This unique street art exhibition changes the appearance of Lodz’s public space and constitutes a
Mokras-Grabowska, Justyna
core   +1 more source

Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937)

open access: yesLes Cahiers de l'École du Louvre, 2012
The reliefs decorating the propylaea of the Soviet pavilion at the 1937 Exposition Internationale in Paris were recently rediscovered on French soil, along with their sculptor, Iosif Chaykov (1888-1979).
Marie Vacher
doaj   +1 more source

Interdiscursivity as a linguocreative appropriation of discourses: the avant-garde and Andrey Tarkovsky

open access: yesСлово.ру: балтийский акцент, 2021
The article explores the category of interdiscursivity from a perspective of its realization in films. As a point of departure, the historical ties of the avant-garde and cinema are ana­lyzed in terms of interdiscursivity.
Irina V. Zykova
doaj   +1 more source

“The Many Languages of the Avant-Garde”: In conversation with Grzegorz Bral of Teatr Pieśń Kozła (Song of the Goat Theatre) [PDF]

open access: yes, 2014
How to theorise and review avant-garde Shakespeare? Which theoretical paradigms should be applied when Shakespearean productions are multicultural and yet come from a specific locale?
Sakowska, Aleksandra
core   +3 more sources

The Third Renaissance and the Pre-Socratic Parmenides in Russian Modernism and Avant-Garde

open access: yesInternationale Zeitschrift für Kulturkomparatistik, 2022
This article aims to reconstruct the reception of pre-Socratic philosophy, especially that of Parmenides, in Russian modernism and avant-garde literature.
Rainer Grübel
doaj   +1 more source

PARODY AS ONTOLOGIC AND GNOSEOLOGIC PROBLEM OF RUSSIAN (S.-PETERSBURG) AVANT-GARDE IN 1920S

open access: yesДокса, 2012
The article explains why the thinkers of Russian avant-garde suggested and developed a theory of parody in 1920s. The cultural and politic context of the avant-garde’s theory of parody is analyzed.
Сергій Троіцький
doaj   +1 more source

Representation of Corpus Patiens in Russian Art of the 1920s

open access: yesArts, 2022
Similar to the Russian historical avant-garde of the 1910s, which predicted the war and the social revolution of 1917, the late avant-garde of the 1920s anticipated the advent of the totalitarian terror and the Stalinist repressions of the 1930s.
Nataliya Zlydneva
doaj   +1 more source

From the Forgotten Russian Avant-Garde: An Unknown Acrostic by I.A.Aksenov Dedicated to K.A.Bol’shakov. (On IWL RAS Archival Materials) [PDF]

open access: yesStudia Litterarum, 2016
This is the first publication of a hitherto unknown acrostic by an avant-garde poet, I. A. Aksenov. The poem was found in the archive of the Russian Union of Soviet Writers (VSSP) in the Manuscript Section of the Institute of World Literature (IWL). This
Alessandro Farsetti
doaj   +1 more source

FATES AND BIOGRAPHIES OF THE AVANT‑GARDE ERA: INGEBORG PRIOR’S SOPHIE’S LEGACY. FROM HANOVER TO This is an open access article SIBERIA. A TRAGIC STORY OF SOPHIE distributed under the Creative LISSITZKY-KÜPPERS AND HER STOLEN PAINTINGS. (NOVOSIBIR [PDF]

open access: yesStudia Litterarum, 2017
The article was prepared with the support of the Russian Foundation for The article was prepared with the support of the Russian Foundation for Humanities; project no № 16-04-00268: “Siberian avant-garde of the 1920s — 1930s: a newspaper, an ...
Elena Yu. Kulikova
doaj   +1 more source

Home - About - Disclaimer - Privacy