Results 21 to 30 of about 1,885 (224)
Слово.ру: балтийский акцент, 2021 The article explores the category of interdiscursivity from a perspective of its realization in films. As a point of departure, the historical ties of the avant-garde and cinema are analyzed in terms of interdiscursivity.
Irina V. Zykova
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The reception of Soviet music in the west: A history of sympathy and misunderstandings [PDF]
Muzikologija, 2012 In this concise survey, the evolution of Western attitudes to Soviet music is retraced: from a certain interest in the early Soviet avant-garde, through “Cold War” attempts to keep alive the works banned under Stalin, to the support of the ...
Hakobian Levon
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The Third Renaissance and the Pre-Socratic Parmenides in Russian Modernism and Avant-Garde
Internationale Zeitschrift für Kulturkomparatistik, 2022 This article aims to reconstruct the reception of pre-Socratic philosophy, especially that of Parmenides, in Russian modernism and avant-garde literature.
Rainer Grübel
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PARODY AS ONTOLOGIC AND GNOSEOLOGIC PROBLEM OF RUSSIAN (S.-PETERSBURG) AVANT-GARDE IN 1920S
Докса, 2012 The article explains why the thinkers of Russian avant-garde suggested and developed a theory of parody in 1920s. The cultural and politic context of the avant-garde’s theory of parody is analyzed.
Сергій Троіцький
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Representation of Corpus Patiens in Russian Art of the 1920s
Arts, 2022 Similar to the Russian historical avant-garde of the 1910s, which predicted the war and the social revolution of 1917, the late avant-garde of the 1920s anticipated the advent of the totalitarian terror and the Stalinist repressions of the 1930s.
Nataliya Zlydneva
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FATES AND BIOGRAPHIES OF THE AVANT‑GARDE ERA: INGEBORG PRIOR’S SOPHIE’S LEGACY. FROM HANOVER TO This is an open access article SIBERIA. A TRAGIC STORY OF SOPHIE distributed under the Creative LISSITZKY-KÜPPERS AND HER STOLEN PAINTINGS. (NOVOSIBIR [PDF]
Studia Litterarum, 2017 The article was prepared with the support of the Russian Foundation for The article was prepared with the support of the Russian Foundation for Humanities; project no № 16-04-00268: “Siberian avant-garde of the 1920s — 1930s: a newspaper, an ...
Elena Yu. Kulikova
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Известия Уральского федерального университета. Серия 2: Гуманитарные науки, 2019 This article considers the perception of the main group and personal exhibitions of Soviet third-wave émigré artists by the American press between the 1970s and 1980s. It analyses reviews in periodicals, which recorded the amplitude of growth and decline
Irina Andreevna Riznychok
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Russian and American Poetry: Towards New Language Abilities [PDF]
Литература двух АмерикThe book by Vladimir Feshchenko, a Russian researcher of the language of poetry and a publisher of avant-garde literature, is devoted to Russian and American poetry of the language experiment in the 20th and early 21st century. Using examples from Andrei
Alexander M. Ulanov
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Middlebrow Aesthetics: An Explanation and Defense
Pacific Philosophical Quarterly, EarlyView.ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
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Visual and Verbal Self-Referentiality in Russian Avant-Garde Picturebooks
Barnboken: Tidskrift för Barnlitteraturforskning, 2019 The early Soviet picturebook arose in an age of propaganda that conceived of children’s literature as a “forgotten weapon” in the battle to train a new populace to inhabit the new post-revolutionary world.
Sara Pankenier Weld
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