RUSSIAN AVANT-GARDE MUSIC OF THE EARLY 20TH CENTURY IN THE MODERN CULTURE
Avant-garde became a global cultural phenomenon of the 20th century, essentially symbolizing the epoch. It’s impossible to picture the 20th century image without avant-garde.
O. A. Lyzlova
doaj
On postmodernism, “the stairs of avant-garde”, and Brodsky
This article attempts to analyse Russian postmodernist poetics, proceeding from the concept of the “trans-semiotic stairs”, as presented by J. Faryno for describing the avant-garde.
Ülle Pärli
doaj +1 more source
Voices from the Past: compositional approaches to using recorded speech [PDF]
This paper investigates some of the ways in which composers and sound artists have used recordings of speech, especially in works mediated by technology.
Lane, Cathy
core +1 more source
Graphic Design Education in the Era of Text‐to‐Image Generation: Transitioning to Contents Creator
Abstract The advancement of generative artificial intelligence (AI) presents innovative opportunities and new challenges across various industries and academic fields. Particularly, recent advancements in generative AI, which can create images from text, are introducing new challenges in the field of graphic design education.
Younjung Hwang, Yi Wu
wiley +1 more source
OBERIU’s Absurd Object and the Poetics of Daniil Kharms
By the 1920s the Russian avant-garde was played out, various branches of the artistic movement achieved a balance of power, and leading organizations shifted in favour of the ideological and utopian recipes imposed by the Soviet state.
Camelia Dinu
doaj
THE THING Hamburg:A Temporary Democratization of the Local Art Field [PDF]
THE THING Hamburg was an experimental Internet platform whose vocation was to contribute to the democratization of the art field, to negotiate new forms of art in practice, and to be a site for political learning and engagement.
Chevalier, Michel +2 more
core +1 more source
Utopian clothing: the futurist and constructivist overalls in the early 1920s’ [PDF]
‘Can fashion start from zero?’ is a question that, as observed by theorists, historians and curators, ultimately haunts those radical sartorial projects embodying a ‘new’ vision of the world.
Loscialpo, Flavia
core +1 more source
Cultural Revolution: Mykhail Semenko, Ukrainian Futurism and the “National” Category [PDF]
This paper examines Mykhail Semenko’s Futurist manifestos that developed an opposition between “national” and “international” art, and specifically called “national” art provincial and retrograde.
Ilnytzkyj, Oleh S.
core +1 more source
Left Conservatism: Sahra Wagenknecht's Challenge to the German Party System
Abstract This article reviews the record of Germany’s current coalition government consisting of the SPD, Greens and liberal FDP under chancellor Olaf Scholz, a member of the SPD. Since 2021, the coalition’s failure to set a coherent policy agenda, permanent infighting and external challenges, such as the Ukraine war and immigration, have led to a ...
Jörg Michael Dostal
wiley +1 more source
Walter Benjamin: between academic fashion and the avant-garde [PDF]
In the present context of the triumph of capitalism over real socialism, this article points out that, despite their ideological differences, both systems are bound to the same conception of history-as-progress.
Buck-Morss, Susan
core

