Results 71 to 80 of about 213 (118)

Semiotic Analysis of the Portrayal of Hazrat Ali (AS) in a Selection of Paintings from the Manuscript of Ahsan al-Kebar in Golestan Palace [PDF]

open access: yesنگره
Iranian painting and Persian literature have a long-standing and close relationship. Iranian painters in different periods have created original works inspired by literary themes.
Marjaneh Naderi Gorzoddini   +1 more
doaj   +1 more source

Comparative Study of Covers- "Sarpoosh-ha" with "Asemaneh-ha"-Depicted in Safavid Paintings with Emphasis on Gender (Case Studies: Rashida and Jami's Haft-Awrang)

open access: yesنگره, 2021
Coverage has been a symbol of culture in different eras and shows the social status of individuals and society. Iran is located in a special region and because of that; it has a people with different cultures and religions which has led to diversity in the way of life and coverage.
azita belali oskui, milad tabaghchi
openaire   +1 more source

Juan R. I. Cole. « The imagined embrace: gender, identity, and Iranian ethnicity in Jahangiri paintings », in : Michel Mazzaoui, ed., Safavid Iran and Her Neighbors. Salt Lake City, University of Utah Press, 2003, pp. 49-61. [PDF]

open access: yesAbstracta Iranica, 2006
Naming it an essay in psychoanalytic fantasy, Cole takes an album of paintings ordered by the Mughal ruler Jahāngīr that depict him together with Sāh ‘Abbās I to discuss Irano-Indian identities and gender reversals. Playing with the hidden imagery of homoerotic symbolism, Jahāngīr, the “effeminate dandy castrated by a domineering Nur Jahan”, is seen ...
openaire   +1 more source

Enchantment - Disenchantment-Re-Enchantment: Postdigital Relationships between Science, Philosophy, and Religion. [PDF]

open access: yesPostdigit Sci Educ, 2021
Reader J   +25 more
europepmc   +1 more source

Imitation in Judeo-Persian Illustrated Manuscripts of Iranian-Islamic Paintings: A Case Study of the Ardeshir-Nama [PDF]

open access: yesهنرهای زیبا. هنرهای تجسمی
Illustrated versions of the Ardeshir-Nama are the origin of the illustrations by Iranian Jews and are an aesthetic reflection of the art of the second Safavid period. The issue is the illustration of Iranian Jews, which violated the prohibition of images
Fariba Azhari, Mehdi Mohammadzadeh
doaj   +1 more source

A comparative study of the metal candlestick images in the paintings of Shahnameh of Shah Tahmasb and similar examples of Islamic periods (Seljuk, Ilkhanid, Timurid and Safavid periods)

open access: yesپیکره, 2020
Problem definition: Metal candlestick is one of the most widely used accessory for providing lighting and one of the common tools of the past periods whose images are abundantly depicted in the Shahnameh’s paintings and the display of these objects has always been of interest to the artists.
openaire   +2 more sources

Typology of Motifs in Horse Blankets Depicted in the Paintings of the Shahnameh of Shah Tahmasp

open access: yesنگره
Introduction: Throughout history, horses have symbolized qualities such as courage, nobility, endurance, and freedom in many cultures. Initially, the relationship between humans and horses was primarily based on transportation, herding, and agriculture ...
Nahid Jafari Dehkordi   +1 more
doaj   +1 more source

The Genetic Legacy of Zoroastrianism in Iran and India: Insights into Population Structure, Gene Flow, and Selection. [PDF]

open access: yesAm J Hum Genet, 2017
López S   +11 more
europepmc   +1 more source

Genetic evidence for an origin of the Armenians from Bronze Age mixing of multiple populations. [PDF]

open access: yesEur J Hum Genet, 2016
Haber M   +6 more
europepmc   +1 more source

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