Results 151 to 160 of about 742 (198)
Some of the next articles are maybe not open access.
Asian Cinema, 2001
Satyajit Ray's conception of an alien is almost like his idea of a Bengali male–a missing link between the childlike (that is, somewhat unformed) and the ridiculous (that is, somewhat uncouth). The validity of this observation will be at once manifest upon viewing Ray's sketch of "Bankubabu's Bandhu" ["Bankubabu's Friend"], a strange figure that is an
Narasingha P Sil
exaly +2 more sources
Satyajit Ray's conception of an alien is almost like his idea of a Bengali male–a missing link between the childlike (that is, somewhat unformed) and the ridiculous (that is, somewhat uncouth). The validity of this observation will be at once manifest upon viewing Ray's sketch of "Bankubabu's Bandhu" ["Bankubabu's Friend"], a strange figure that is an
Narasingha P Sil
exaly +2 more sources
Satyajit Ray, the Documentarian
South Asian Review, 2015 This paper attempts to re-evaluate the five completed documentaries and one incomplete documentary that Satyajit Ray made.
Somdatta Mandal
openaire +2 more sources
Satyajit Ray: The Inner Eye [PDF]
, 2004 Akira Kurosawa said of the great director: ‘Not to have seen the cinema of Ray means existing in the world without seeing the sun or the moon.’ Martin Scorsese remarked on Ray’s birth centenary in 2021: ‘The films of Satyajit Ray are truly treasures of cinema, and everyone with an interest in film needs to see them.’ Satyajit Ray: The Inner Eye is the ...
Ain, Anwesha Dutta
core +4 more sources
Continuum, 1992 On Friday 29 and Sunday 31 May 1992 the Film and Television Institute of Western Australia paid homage to the Indian filmmaker Satyajit Ray by screening two of his films: Jana Aranya (The Middleman, 1975) and Jalsaghar (The Music Room, 1958). The following texts introduced the screenings.
Bonneville, Léo
openaire +2 more sources
‘The fruits of independence’: Satyajit Ray, Indian nationhood and the spectre of empire [PDF]
South Asian History and Culture, 2011 Challenging the longstanding consensus that Satyajit Ray's work is largely free of ideological concerns and notable only for its humanistic richness, this article shows with reference to representations of British colonialism and Indian nationhood that ...
Chandak Sengoopta
exaly +2 more sources
, 2018 Satyajit Ray was an Indian filmmaker, writer, music director, and illustrator, considered among the greatest auteur-directors of 20th-century cinema, along with the likes of Akira Kurosawa, Ingmar Bergman, Federico Fellini, and Andrei Tarkovsky. Born into an illustrious family of intellectuals who epitomized the high point of the late 19th-century ...
Avishek Parui
openaire +2 more sources
The Contours of Affinity: Satyajit Ray and the Tagorean Legacy
South Asia: Journal of South Asia Studies, 2012 This paper seeks to demonstrate the complexities of the Tagorean legacy through a re-examination of Tagore's influence on the filmmaker Satyajit Ray. Reappraising Ray's brief period at Santiniketan and some of his most celebrated engagements with Tagore,
Chandak Sengoopta
exaly +2 more sources
The unique universe of Satyajit Ray
Physics World, 2022Andrew Robinson delves into the life and work of the famed Bengali film director, who blended art and science, and uncovers the story behind his sci-fi film that didn’t make it to the screen, but nevertheless influenced Hollywood.
openaire +1 more source