Book Review: Explorations in Schenkerian Analysis
John Koslovsky
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Recognition of variations using automatic Schenkerian reduction. [PDF]
Experiments on techniques to automatically recognise whether or not an extract of music is a variation of a given theme are reported, using a test corpus derived from ten of Mozart's sets of variations for piano.
Marsden, Alan
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Music Analysis, Volume 41, Issue 1, Page 183-207, March 2022.
John Koslovsky
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An overview of the advantages and limitations of Simon's Theorie der Tonfelder in the analysis of the highly chromatic segments of the nineteenth-century repertoire [PDF]
Theorists and analysts have approached the tonal repertoire using various methodologies, from "traditional" harmonic analysis through Schenkerian reductionism to NEO-Riemannian transformational notions.
Komatović Nikola
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Ascending Cadence Gestures, New Historical Survey, Part 1: Introduction [PDF]
This new documentation of traditional European and European-influenced music with ascending lines and cadence gestures includes compositions from the fifteenth through the early twentieth century. The work is gathered in five parts, published separately.
Neumeyer, David
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Adorno on Schenker: Reconstructing the Formation of a Critique
ABSTRACT Since the publication in 1982 of Theodor Adorno's late lecture ‘On the Problem of Musical Analysis’, it has been well established that Adorno had an ambivalent attitude towards Heinrich Schenker's analytical method, to the extent that the two men are usually thought of as antagonists while sharing the same concern for a work‐immanent ...
SEBASTIAN WEDLER
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Systemic Modeling of Camargo Guarnieri’s Ponteio n. 8
Divided in three parts, this article demonstrates the process of Systemic Modeling of Ponteio n. 8 by Camargo Guarnieri as the basis for the composition of a work for solo violin by Marcel Castro-Lima entitled Prelude.
Liduino Pitombeira, Marcel Castro Lima
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A Gallery of Simple Examples of Extended Rising Melodic Shapes [PDF]
Prevailing stereotypes of formal cadences and arch-shaped melodies were especially strong in the eighteenth century, but they did not prevent European musicians from occasionally introducing rising melodic figures into cadences and sometimes connecting ...
Neumeyer, David
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Bridging the divide : embedding voice-leading analysis in string pedagogy and performance. [PDF]
Experience as a music lecturer in higher/further education and as an instrumental teacher suggests that instrumental pedagogy – focused on strings – and music analysis could usefully be brought closer together to enhance performance.
Mawer, Deborah
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Deceiving the Ear: Recontextualization, Key Association, and Auxiliary Cadence in Two Songs by Hugo Wolf [PDF]
Analysis of Hugo Wolf's "An den Schlaf" and "Lebe ...
Ryan Taycher
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