Results 31 to 40 of about 2,697 (135)
Adorno on Schenker: Reconstructing the Formation of a Critique
ABSTRACT Since the publication in 1982 of Theodor Adorno's late lecture ‘On the Problem of Musical Analysis’, it has been well established that Adorno had an ambivalent attitude towards Heinrich Schenker's analytical method, to the extent that the two men are usually thought of as antagonists while sharing the same concern for a work‐immanent ...
SEBASTIAN WEDLER
wiley +1 more source
Systemic Modeling of Camargo Guarnieri’s Ponteio n. 8
Divided in three parts, this article demonstrates the process of Systemic Modeling of Ponteio n. 8 by Camargo Guarnieri as the basis for the composition of a work for solo violin by Marcel Castro-Lima entitled Prelude.
Liduino Pitombeira, Marcel Castro Lima
doaj +1 more source
Bridging the divide : embedding voice-leading analysis in string pedagogy and performance. [PDF]
Experience as a music lecturer in higher/further education and as an instrumental teacher suggests that instrumental pedagogy – focused on strings – and music analysis could usefully be brought closer together to enhance performance.
Mawer, Deborah
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O presente artigo examina a canção Chovendo na roseira, de Antônio Carlos Jobim, focando as relações estruturais aprofundadas existentes entre melodia, harmonia e forma.
Carlos de Lemos Almada
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Deceiving the Ear: Recontextualization, Key Association, and Auxiliary Cadence in Two Songs by Hugo Wolf [PDF]
Analysis of Hugo Wolf's "An den Schlaf" and "Lebe ...
Ryan Taycher
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Analysing symbolic music with probabilistic grammars [PDF]
Recent developments in computational linguistics offer ways to approach the analysis of musical structure by inducing probabilistic models (in the form of grammars) over a corpus of music.
Abdallah, Samer +2 more
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A space for inflections: following up on JMM's special issue on mathematical theories of voice leading [PDF]
Journal of Mathematics and Music's recent special issue 7(2) reveals substantial common ground between mathematical theories of harmony advanced by Tymoczko, Hook, Plotkin, and Douthett.
Yust, Jason
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“Un bacio”—ancora? Un altro “bacio”! [PDF]
It is difficult to credit the usual explanation that the mere fact of the “bacio” theme’s recapitulation in act 4 of Verdi’s Otello accounts for its powerful effect.
Arthur Maisel
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Schenkerian Analysis by Computer: A Proof of Concept [PDF]
Abstract A system for automatically deriving a Schenkerian reduction of an extract of tonal music is described. Schenkerian theory is formalized in a quasi-grammatical manner, expressing a reduction as a binary-tree structure. Computer software which operates in the manner of a chart parser using this grammar has been implemented, capable of deriving a
openaire +2 more sources
Software for Schenkerian Analysis [PDF]
Software developed to automate the process of Schen-kerian analysis is described. The current state of the art is that moderately good analyses of small extracts can be generated, but more information is required about the criteria by which analysts make
Marsden, Alan
core +1 more source

