Results 41 to 50 of about 2,737 (148)
Analysing symbolic music with probabilistic grammars [PDF]
, 2015 Recent developments in computational linguistics offer ways to approach the analysis of musical structure by inducing probabilistic models (in the form of grammars) over a corpus of music.
Abdallah, Samer +2 more
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David Temperley, Music and Probability [PDF]
, 2007 review of David Temperley's "Music and Probability".
Lewis, David +3 more
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“Un bacio”—ancora? Un altro “bacio”! [PDF]
, 2018 It is difficult to credit the usual explanation that the mere fact of the “bacio” theme’s recapitulation in act 4 of Verdi’s Otello accounts for its powerful effect.
Arthur Maisel
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A Sweeter Music: Two Essays and a Colloquy on an Elgar Part‐Song
Music Analysis, Volume 44, Issue 2, Page 246-289, July 2025.ABSTRACT Edward Elgar's 1907 part‐song ‘There Is Sweet Music’ (Op. 53 No. 1) is at once a ‘minor’ piece and a highly significant one that richly rewards investigation. It is notable as an early instance of bitonality, being notated simultaneously in two keys – the male choir in G major and the female choir in A♭. Yet despite the apparent discordance of
Patrick McCreless, Benedict Taylor
wiley +1 more source
Echoes in Plato's cave:ontology of sound objects in computer music and analysis [PDF]
, 2014 The sonic aspects of Plato's analogy of the cave is taken as a starting point for thought experiments to investigate the objective nature of sound, and the idea of quasi-Platonic forms in music.
Marsden, Alan
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Music Analysis, Volume 44, Issue 1, Page 3-43, March 2025.ABSTRACT Is musical analysis meant to guide performance – or to be based on it? Can a Schenkerian analysis of a piece be corroborated by a performance or an arrangement? This article addresses these questions through a well‐known test case – the first prelude of the first book of Bach's Well‐Tempered Clavier, as analysed by Heinrich Schenker in Five ...
NAPHTALI WAGNER, RAM REUVEN
wiley +1 more source
Deceiving the Ear: Recontextualization, Key Association, and Auxiliary Cadence in Two Songs by Hugo Wolf [PDF]
, 2012 Analysis of Hugo Wolf's "An den Schlaf" and "Lebe ...
Ryan Taycher
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A standard format proposal for hierarchical analyses and representations [PDF]
, 2016 In the realm of digital musicology, standardizations efforts to date have mostly concentrated on the representation of music. Analyses of music are increasingly being generated or communicated by digital means.
Marsden, Alan Alexander, Rizo, David
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Corpus Studies and ‘Close Listening’
Music Analysis, Volume 43, Issue 2, Page 191-246, July 2024.ABSTRACT This article provides a detailed response to Markus Neuwirth and Martin Rohrmeier's article ‘Wie wissenschaftlich muss Musiktheorie sein?’, published in the Zeitschrift der Gesellschaft für Musiktheorie in 2016. I undertake to nuance their call for the wholesale adoption of machine‐assisted corpus‐based methods in music theory through a ...
NATHAN JOHN MARTIN
wiley +1 more source
Testing Schenkerian theory: an experiment on the perception of key distances [PDF]
, 2012 The lack of attention given to Schenkerian theory by empirical research in music is striking when compared to its status in music theory as a standard account of tonality. In this paper I advocate a different way of thinking of Schenkerian theory that
Yust, Jason
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