ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
wiley +1 more source
Sonata Form as Temporal Process: the First Movement of Bruckner's Sixth symphony
ABSTRACT The timeworn view that Bruckner's sonata form is a motionless architecture devoid of dynamic processes has long contributed his isolation from the mainstream post‐Beethovenian tradition. Taking inspiration from August Halm's (1914) and Ernst Kurth's (1925) approaches, which were aimed at overcoming this view, this article seeks to elucidate ...
SUNBIN KIM
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On Metaphor, Technology, and Schenkerian Analysis
Multimedia renderings for the World-Wide Web are offered as models which extend the technology commonly employed in expressing Schenkerian analysis. The study begins with a new appraisal of the role of metaphor, establishing that the qualities of imitation and participation which are embodied in the communication of metaphor are central to a ...
openaire +1 more source
Allen Cadwallader & David Gagne - Analysis of Tonal Music - A Schenkerian Approach [PDF]
Allen Cadwallader & David Gagne, Analysis of Tonal Music: A Schenkerian Approach. Oxford University Press, 1998. Reviewed by Marianne Wheeldon. For the last fifteen years, the standard text for the study of Schenkerian analysis has been Allen Forte and ...
Wheeldon, Marianne
core +1 more source
Sins of the Father: Schenker, Schenkerism and Ewell's On Music Theory
Music Analysis, Volume 43, Issue 1, Page 136-174, March 2024.
Bryan J. Parkhurst
wiley +1 more source
A Musical Lens on Spatial Representations of Form to Support Designers and Teachers Using Hybrid Learning Spaces. [PDF]
Wilson S.
europepmc +1 more source
Introduction to Schenkerian Analysis - TU Berlin, 3.–5. Juni 2005 [PDF]
Hans-Ulrich Fuss
doaj +1 more source
Schenkerian Analysis. Symposium und Workshops. Universität der Künste Berlin, 4. Juni 2004; Gutshof Sauen, 5.–7. Juni 2004; Hochschule für Musik und darstellende Kunst Mannheim, 11.–12. Juni 2004 [PDF]
Stefan Rohringer
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Song and dance: a memetic angle on the evolution of musicality and music via case studies of a musemeplex in Saint-Saëns and ABBA. [PDF]
Jan S.
europepmc +1 more source

